Quotes About Scores

In some parts of life, like mathematics and science, yeah, I was a genius. I would top all the top scores you could ever measure it by.

In Italy managers are judged simply by results.

Film scores are complicated puzzles that you need to figure out and solve very quickly, or else you're basically fired. You're hired to enhance the film and you only have a couple tries to prove that you are capable of that task. I can keep trying to enhance my album ad infinitum.

When we saw 'The Knick' or 'True Detective,' they had very distinct scores that were doing very distinct things.

Consumers who are thinking of opening one of these no-limit credit cards may want to think how deeply their scores will be affected.

Women everywhere had higher scores in two of these categories—social responsibility and empathy—while men universally scored higher on stress tolerance.

Yeah, I'd definitely love to do some scores someday. I particularly love Hans Zimmer's work.

To reach that conclusion, testing advocates had to ignore all sorts of experiences that could influence the scores—especially those in early childhood, when the brain is still developing.

For me, comic scores always have to have some melancholy in the background.

I don't like memoirs. I think they're self-serving, and people use them to settle scores, and I really tried not to do that. You have to have a really interesting life to justify memoir, and my life has been pretty ho-hum.

If you look at our domestic scores in T20s, it is generally around 110-120. I think we all need to go back, step up our domestic circuit, take those scores to 140-150. If that is happening then all the batters will come with the same mindset of playing a fearless brand of cricket.

History is full of examples of men with deep-seated grievances who embraced good causes, in part at least, to settle old scores.

Passing the SAT: My personal theory is that it has to do with how much money you send them in the mail. I think the amounts they tell you to send are actually just suggested minimum donations - if you get my drift.

My major influence is Satyajit Ray; his film 'Shatranj ke Khilari' was set in Awadh and it gave us memorable characters. Ray's musical scores and soundtracks were an intrinsic part of his films. And music to me is important, too.

I always loved the motion picture scores and the great film composers like Elmer Bernstein.

John Barry was my hero when I was about 13. His scores to the James Bond movies were the scores of my life back then.

I used to throw on soundtracks, and orchestral stuff would be the only thing I could write to, maybe 'Dead Can Dance' or 'Cocteau Twins' or something. Mostly, it was movies scores that would kind of inspire me.

Scores climb with titles, from the bottom of the corporate ladder upward toward middle management. Middle managers stand out, with the highest EQ scores in the workforce. But up beyond middle management, there is a steep downward trend in EQ scores. For the titles of director and above, scores descend faster than a snowboarder on a black diamond. CEOs, on average, have the lowest EQ scores in the workplace.

I worked on scores. I went to the musical library in Berlin which is very famous. I discovered that we had scores of Beethoven, printed scores of Beethoven, that are full of mistakes. Not the wrong or false notes, but the wrong dynamic, understandable things.

I worked on scores. I went to the musical library in Berlin which is very famous. I discovered that we had scores of Beethoven, printed scores of Beethoven, that are full of mistakes. Not the wrong or false notes, but the wrong dynamic, understandable things.

I'm the kind of guy who comes home and checks scores for everything. I'm a sports fan in general, so I pretty much keep up with who's ahead in a division and everything that's going on.

People on 'The Incredibles' would ask me if I listened to a lot of spy scores, but no, I don't.

She had also a taste for music. Nestling upon a pile of scores, she would listen most attentively and with every mark of satisfaction to the singers who came to perform at the critic's piano. But high notes made her nervous, and she never failed to close the singer's mouth with her paw if the lady sang the high A. We used to try the experiment for the fun of the thing, and it never failed once. It was quite impossible to fool my dilettante cat on that note.

way, is music. I hear that longing in countless pieces: in Barber's Adagio, in the "In Paradisum" from the Fauré Requiem, in the "Liebestod" from Tristan and Isolde; in Max Steiner's film scores, in folk songs like "Blow the Wind Southerly" and "Shenandoah