Quotes About Fashion

I've always been really interested in fashion, culture and visual arts in general: when I was growing up my parents half-expected me to go to art school, but I ended up working in Parliament, and then working in tech and data.

The main thing I love about street photography is that you find the answers you don't see at the fashion shows. You find information for readers so they can visualize themselves.

Music, for me, is as important as fashion. The first visuals I remember are Elvis Presley, David Bowie, New Romantics, and different punk bands.

I generally wear a lot of black clothes, and I think that comes from wanting to be as neutral as possible. We use a lot of visuals on stage, so I kind of hope people are watching those and not looking at me.

I feel like what I'm bringing to the table that's different is like not just consistency in the music but consistency in the creativity, consistency in the visuals, in the fashion, participation with the fans and things that I give them and merch and stuff like that. And I'm very active with them.

They couldn't have a little kid occupying an important spot on the front row, so I sat in the back where all the models changed clothes. I remember vividly the rustling and the rush of the fabrics of the clothes and the swoosh of textures and color as they went by. I was in the back, but I had a front-row seat, in my opinion.

Vintage is my vocabulary... like the notes of a musician.

I like a woman who has a vocabulary larger than 'shoes' and 'handbags.' But a nice pair of legs to go in the shoes is always good, too.

I feel it's very important to remove labels; the progress in fashion will be when people completely cut out the words 'plus size' from their vocabulary and accept that women come in many sizes - especially over a size 4. Once that happens, I feel as though inclusiveness of body type will finally start happening.

I wear scarves all the time. Even in the summer, I wear scarves - even a thin one. My old vocal teacher told me that, and I stick to it. The only time I get sick is when I forget to wear my scarf. I don't know, it might be mental, but it works for me.

The guys who like chinos and cords never went away. They've always been there. They're remarkably loyal, just not remarkably vocal.

Being a model, you know, it's a short-lived vocation.

We don't vogue, we are 'Vogue'.

When I die I want to go to Vogue.

When you have a magazine like 'Vogue,' you know a lot of kids are going to follow your pictures.

I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.

When I made 'Polly Maggoo,' it was more or less the end of this collaboration with 'Vogue' because I made a caricature of the editor-in-chief and the fashion people, so they didn't really adore me.

'Vogue' should be about giving a voice to all different cultures.

'Vogue' is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend.

To be in 'Vogue' has to mean something. It's an endorsement. It's a validation.

'Vogue' is a fashion magazine, and a fashion magazine is about change.

People always associated me with 'Vogue,' 'Vogue Living,' or 'Elle Decor.'

I couldn't identify with the images in 'Elle' or 'Vogue' or 'Harper's Bazaar.' Nobody in the world we're walking around in actually looks like that.

My dream jobs would be Italian 'Vogue' and anything with Chanel!