Quotes About Style

I'm covered in tattoos head to toe, I have this striking style, I'm smaller than most competitors, and people are like, 'Yeah. That's my guy.' Why? Because they can see part of themselves in me.

I love seeing a woman in a beautiful dress and pairing it with a light shoe that shows skin - I really believe in toe cleavage.

I sometimes rock crazy shoes or a bright jacket, but my go-to is typically black, head to toe... minus my hair and makeup, of course!

I don't like it when you look too styled and wear one designer from head to toe.

I don't like kitten heels. I just don't think they are an attractive shoe because they always look so stumpy. And I would never wear cowboy boots: a pointy toe and little heel is just not my thing.

I tend to wear monochromatic outfits - all one colour from head to toe.

Women tell me they won't date a guy with bad shoes. There are good-looking guys with good-looking outfits, and then really bad-looking square toe I-don't-even-want-to-mention-the-label kind of shoes. There is no reason for that. Again, invest in something that looks proper. A great pair of shoes can make your old outfit look great, too.

One thing I longed to do was to design a complete look, from head to toe, so I started a make-up line in 1966.

I am not ashamed to admit that I'm wearing Yves Saint Laurent from top to toe.

I run in a pair of New Balances with a thinner sole, but they're nothing like those barefoot shoes that show all five toes. I have a bit of a phobia about those.

Many of my friends and colleagues are in the public eye, so they have to pay close attention to what they wear. But every woman needs to stay on her toes in this era of cell-phone cameras and Facebook.

I like army boots, I like peasant skirts - sometimes together! So I do know that I have odd taste.

I just kind of, like, put stuff together. I don't really try to make it seem like a 'look.'

When I am putting looks together, I dare myself to make something work. I always look for the most interesting silhouette or something that's a little off, but I have to figure it out. I have to make it me. I think that's the thrill in fashion.

Tom Ford does everything perfect.

I went with Tom Ford to a bunch of events one year, and he's so wonderful and handsome and so much fun to be with; he made me look, like, 100 percent better in every single picture.

A Tom Ford three-piece makes you feel so confident, it's bananas.

Tom Jones is like igloo-cool.

Another friend said, I want to write sentences that seem as if no one wrote them. The goal being the creation of a pure delivery system, without the distraction of a style. The goal being a form no one notices, the creation of what seems like pure feeling, not of what seems like a vehicle for a feeling. Language as pure experience, pure memory. I too wanted to achieve that impossible effect.

Although Ségalot is wearing a conventional navy suit, his hair stands on end, thick with gel, neither in nor strictly out of fashion but in its own universe of style. Ségalot never studied art. He acquired an MBA, then worked in the marketing department of L'Oréal in Paris. As he explains, "It is not by chance that I went from cosmetics to art. We are dealing with beauty here. We are dealing in things that are unnecessary, dealing with abstractions.

Kelly wears her hair swept back in an odd 1940s pompadour that one writer assumed must be her "auxiliary brain.

She epitomizes the look French women aspire to: a mix of aristocratic beauty spiced with a dash of modern mum.

It looks like the house of Ali Baba! Or the Moulin Rouge! Or the Taj Mahal! If only she would decide on a country and have done with it. Is that what passes for modern décor?

She wore a boiled shirt and a bow-tie, and her hair, though long and bound, was sleek with oil. She was about two- or three-and-thirty, and her waist was thick; but her upper lip, at least, was dark as a boy's. They would have called her terribly handsome, I guessed, in about 1880.