Quotes About Glamour

I woke up one morning to find I was famous. I bought a white Rolls-Royce and drove down Sunset Boulevard, wearing dark specs and a white suit, waving like the Queen Mum.

At first, I thoroughly enjoyed being famous.

For the first time since its birth in Britain's industrial dawn, Liverpool was deliberately invoked as a source of excitement, glamour, and novelty.

I used to have visions of flashing lights and red carpets.

My family went to Toronto to visit relatives when I was 13 or 14. It was the first time we had ever been abroad. This was the early Eighties, and I remember the impossible glamour of air travel - my mum spending days trying to decide what she was going to wear on the plane.

When we talk about my music, it's a cross between Tina Turner, Alanis Morrisette, and Diana Ross. It's the glamour and the showiness of Diana Ross; the ferociousness and pain of Tina Turner; and the vocals of Alanis.

Being a model, you know, it's a short-lived vocation.

The hedonistic lifestyle is difficult to achieve when you're still carrying your own gear. Trust me that you don't feel glamorous with a 60-pound amp in your arms; it's a lot less sexy than toting a vodka gimlet and impossible to do in heels.

We don't vogue, we are 'Vogue'.

Everybody would like to be on the cover of 'Vogue.'

'Vogue' is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend.

I was ten years old when my first 'Vogue' cover sang me its siren call and dashed me against the treacherous rocks of fashion obsession.

I said to my mother, 'When you see my name in 'Vogue,' I will have arrived.'

Who doesn't want to shoot for 'Vogue?' I remember updating my Facebook status to say 'Doing 'Vogue' today', it was so exciting. I thought it would be really intimidating, and I don't like photoshoots, but that was the most relaxed one I've done.

I am addicted to 'Vogue' magazines, be they French, British - I adore, adore, adore.

I was getting a lot of editorial, as in lots of pages in 'Vogue,' but it's far more important to get your dresses on the back of a famous person. Charlotte Rampling in Bruce Oldfield. That sells.

I'm always inspired by anything in 'Vogue,' anything that's been in 'Vogue.'

My very first runway show, I was in 'Vogue.'

Vogue is my best mate.

My first thought when I started in journalism is that I wanted to work for a fashion publication like 'Vogue' or 'Glamour.'

80-percent of 'Enter the Void' is a traditional narrative movie. I suppose it's more similar to 'Jacob's Ladder' or 'Videodrome' than it is to 'Inauguration of the Pleasure Dome' by Kenneth Anger, which is very experimental. It's the other 10% of 20% that reminds you of the language and glamour of dreams.

Beatrice loves her glamorous dresses and her hair being curly or big - like Mummy's - and I hate volume. I like my hair to be sort of flat. I like just throwing on a pair of jeans and generally being more understated. She is more 'Let's do the glamour.' We're chalk and cheese.

In fact, when I was voted for the sexiest woman for two years, it was a fabulous feeling.

It's a very enticing, very seductive place, but once you get to know what L.A.'s really like, you don't want to live there.