Quotes About Film

Escaping into a film is not like escaping into a book. Books force you to give something back to them, to exercise your intelligence and imagination, where as you can watch a film-and even enjoy it-in a state of mindless passivity.

Winston knew better than to give a heartfelt synopsis of a grainy black-and-white film that had inadvertently touched his heart and caused him to empathize with a loafer-shod French boy, Doinel, the young, unloved Parisian, running toward the sea in the last reel. Winston had wanted to chase behind him, clasp him on the shoulder...

el cine se mueve en un nivel más cercano a la música y a la pintura que a la palabra escrita. Por eso, las películas ofrecen la oportunidad de explicar conceptos y abstracciones sin la tradicional dependencia de las palabras. En dos horas y cuarto , hay tan sólo cuarenta de diálogo [en 2001: una odisea del espacio] Stanley Kubrick Entrevista al New York Times el 1 de abril de 1953

Period costume films are fun to discover, but they're not relatable. It's more, 'Wow, that's cool - did it really look like that back then?' Whereas with a comedy, you're like, 'Yeah, that's me, that's my friends.' No matter what, I want people to relate.

The biggest excuse for film is that it is a film. It's a game, an art for a bunch of people who sit in a dark theatre. The light hits them and then they go home, and it's more or less over. But a good film, or a cautionary one . . . A darkened theater is a safe place to say things that mean something.

The biggest excuse for film is that it is a film. It's a game, an art for a bunch of people who sit in a dark theatre. The light hits them and then they go home, and it's more or less over. But a good film, or a cautionary one . . . A darkened theater is a safe place to say things that mean something.

I never ask my wife about my flaws. Instead I try to get her to ignore them and concentrate on my sense of humor. You don't want any woman to look under the carpet, guys, because there's lots of flaws underneath. Joanne believes my character in a film we did together, 'Mr. and Mrs. Bridge' comes closest to who I really am. I personally don't think there's one character who comes close . . . but I learned a long time ago not to disagree on things that I don't have a solid opinion about.

There's no way I could make the case that Animal House is a better picture than Heaven Can Wait , yet on some sort of emotional-aesthetic level I prefer it.

Nobody really controls a production, now; the director is on his own, even if he's insecure, careless, or nuts.

Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales, from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster...

If I just concentrate I can walk into memory's store and find the right shelf with the right film and disappear into it....

seen Blue Water, White Death, the 1971 feature film that, for me, remains the finest documentary ever made about sharks.

OW: Sam Fuller. Peter gets furious with me for not expressing enthusiasm for Fuller. Fritz Lang, you know? He thinks is great. Lang, whose mother was Jewish, told me that Goebbels, who was trying to get him to head up the Nazi movie industry, offered to make him an honorary Aryan, of which there were only a handful. Lang said, "But I'm Jewish," and Goebbels replied, "I decide who is Jewish!

I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.

Screenplays are structure, and that's all they are. The

What I don't like are pompous, pretentious movies.