Quotes About Harvey Weinstein

Anger, pain and a tinge of joy are the recursive emotions I have been waking up to ever since I read reports on how Harvey Weinstein sexually harassed women in Hollywood for years. Some of these women are actors I have been longing to co-star with even if they reside in another part of the globe.

I worked on the Harvey Weinstein-produced 'The Great Raid,' where I warned a young co-star not to take Harvey up on his invitations to drinks unless the whole group was there.

They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'

Not long before Harvey Weinstein's fall from grace I sat next to him while being interviewed for Chris Evans's radio show. He was physically gross yet inexplicably smug.

Harvey Weinstein does not personify American liberalism any more than Bill O'Reilly personifies American conservatism.

I was part of a growing community of women who were secretly dealing with harassment by Harvey Weinstein. But I also did not know that there was a world in which anybody would care about my experience with him.

George Clooney's 'Ides of March' could be the most under-appreciated movie of the year. In 20 years they're gonna go back and say, 'Oh, that was American politics in that time period.' I follow politics, I love it, and that movie is so authentic.

During three decades' worth of sexual harassment allegations, Harvey Weinstein lined the pockets of Democrats to the tune of three quarters of a million dollars.

I'm sure the next time Piers Morgan asks me to host his show again I will ask President Obama to be my guest.

Harvey Weinstein bought our film, and he's an animal. He's got us out there campaigning and everything because honestly it's a silent black-and-white film.

As the entertainment industry became more corporate and MBA-driven, Harvey Weinstein remained an unreconstructed specimen of the worst and most compelling character traits of a truer Hollywood. Harvey, and in a sense only Harvey, continued to embody the Hollywood self.

I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.

Meryl Streep is at the apex of Hollywood, and it is ludicrous for anyone to think or for her to expect anyone to think that she was completely ignorant of Harvey Weinstein's serial predation of women.

I love it when these Internet dudes say to me, 'Hey man, we just want to be 'content neutral.'

The abuse of power in Hollywood is an epidemic that needs to change and hopefully the women brave enough to speak out against Harvey Weinstein have made other men look at the behaviour and realise it is unacceptable.

As much as any other producer in the modern movie age, Harvey Weinstein has been a subject of media fascination. The grossness, the bullying, the unbridled exercising of personal power, the craven appetites, the awards and his good taste in films fed that fascination.

Just because of the #MeToo movement in Hollywood, after Oscar-winning actresses including Angelina Jolie came out and spoke against Harvey Weinstein, we also want to talk about something that has been happening in Bollywood for long; like several years ago, Mamta Kulkarni had spoken against filmmaker Rajkumar Santoshi.

Over the years with movies, I've given directors notes.

George Clooney's 'Ides of March' could be the most under-appreciated movie of the year. In 20 years they're gonna go back and say, 'Oh, that was American politics in that time period.' I follow politics, I love it, and that movie is so authentic.

Over the years with movies, I've given directors notes.

The allegations against Harvey Weinstein are clearly deplorable. No matter how many great films he's bullied into production, or his guilt-induced contributions to left-minded ideals, this kind of intimidation and abuse of power is perverse and utterly unforgivable. Period.

The film you know as 'Super Troopers' is a film that almost didn't happen. The script was originally commissioned and developed by Miramax, but when it failed to get a green light, Harvey Weinstein was kind enough to give it back to us so we could make it elsewhere.

In 'The High Low', in some respects an audio version of 'Grazia,' Pandora Sykes and Dolly Alderton wonder whether they missed something in their survey of the Harvey Weinstein story. Maybe they did, they decide.

Sometimes Harvey Weinstein will let me use the Miramax jet if I'm opening a supermarket for him.