Quotes About Danger

It was a tremendously virile and yet sinister face which was turned towards us. With the brow of a philosopher above and the jaw of a sensualist below, the man must have started with great capacities for good or for evil. But one could not look upon his cruel blue eyes, with their drooping, cynical lids, or upon the fierce, aggressive nose and the threatening, deep-lined brow, without reading Nature's plainest danger-signals.

This world of ours appears to be separated by a slight and precarious margin of safety from a most singular and unexpected danger.

this imminent danger seemed to take bodily shape, and I could almost fancy that I saw this most loathsome and dangerous of all the fiends crouching closely in his very shadow, like a half-cowed beast which slinks beside its keeper, ready at any unguarded moment to spring at his throat.

Es peligroso quitar su cachorro a un tigre, y también es peligroso arrebatar a una mujer a una ilusion

a brick came down from the roof of one of the houses, and was shattered to fragments at my feet.

It is a romance! cried Mrs. Forrester. An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl.

Think Snake Plissken. You know…Escape From New York? You do this job, and if you don't fuck it up, we let you live. (Joe) Yeah, I've seen that movie. At the end they try to kill him anyway. (Steele) Good, then you're already acquainted with our methods. Saves me a lot of training time and you a low of surprises. (Joe)

Prime area for something nasty to wait for prey. Bring it. I've got time to wash blood off my boots. ' - Evalle

Follow me down before anyone else gets show. Especially before I get shot, 'cause that would just ruin an otherwise nice day. (Jack)

A wooden stake through the heart will kill just about anything. And if it doesn't, run like hell. -Kyrian

occurred to Jenna that she might still be in danger. Not while

The Amanita phalloides... holds three different poisons. There is amanitin, which works slowly and is most potent. There is phalloidin, which acts at once, and there is phallin, which dissolves red corpuscles, although it is the least potent. The first symptoms do not appear until seven to twelve hours after eating, in some cases not before twenty-four or even forty hours. The symptoms begin with violent stomach pains, cold sweat, vomiting-

Some rose petals are poisonous.

Right?" he said. "I think we are all incredibly silly to stay. I think that an atmosphere like this one can find out the flaws and faults and weaknesses in all of us, and break us apart in a matter of days. We have only one defense, and that is running away. At least it can't follow us, can it? When we feel ourselves endangered we can leave, just as we came. And," he added dryly, "just as fast as we can go.

Most of the 'pain' we experience is of a perceptual order, perception either of the urge of unsatisfied instincts or of something in the external world which may be painful in itself or may arouse painful anticipations in the psychic apparatus and is recognised by it as 'danger.

The reaction to these claims of impulse and these threats of danger, a reaction in which the real activity of the psychic apparatus is manifested, may be guided correctly by the pleasure-principle or by the reality-principle which modifies this.

We can also add that the generating of anxiety sets symptom-formation going and is, indeed, a necessary prerequisite of it. For if the ego did not arouse the pleasure-unpleasure agency by generating anxiety, it would not obtain the power to arrest the process which is preparing in the id and which threatens danger.

Here we may be assisted by the idea that a defence against an unwelcome internal process will be modelled upon the defence adopted against an external stimulus, that the ego wards off internal and external dangers alike along identical lines.

In phobias of animals the danger seems to be still felt entirely as an external one, just as it has undergone an external displacement in the symptom. In obsessional neuroses the danger is much more internalized. That portion of anxiety in regard to the super-ego which constitutes social anxiety still represents an internal substitute for an external danger, while the other portion — moral anxiety — is already completely endo-psychic.

This study of the determinants of anxiety has, as it were, shown the defensive behaviour of the ego transfigured in a rational light. Each situation of danger corresponds to a particular period of life or a particular developmental phase of the mental apparatus and appears to be justifiable for it.

T]he ego has to try from the very outset to fulfil its task of mediating between its id and the external world in the service of the pleasure principle, and to protect the id from the dangers of the external world. [...] Thereafter, under the influence of education, the ego grows accustomed to removing the scene of the fight from outside to within and to mastering the internal danger before it has become an external one; and probably it is most often right in doing so.

This is perhaps the real secret of heroism. The rational basis of heroism is dependent upon the decision that one's own life cannot be worth as much as certain abstract common ideals. But I believe that instinctive or impulsive heroism is much more frequently independent of such motivation and simply defies danger on the assurance which animated Hans, the stone-cutter, a character in Anzengruber, who always said to himself: Nothing can happen to me.

During the treatment our therapeutic work is constantly swinging backwards and forwards like a pendulum between a id-analysis and a piece of ego-analysis. In the one case we want to make something from the id conscious, in the other we want to correct something in the ego. The crux of the matter is that the defensive mechanisms directed against former danger recur in the treatment as resistances against recovery. It follows from this that the ego treats recovery itself as a new danger.

Pain is thus the actual reaction to loss of object, while anxiety is the reaction to the danger which that loss entails and, by a further displacement, a reaction to the danger of the loss of object itself.