Quotes About RCA

When I walked into the RCA office, it felt like home. They didn't have any female rapper that I would be going toe-to-toe with or competing for attention with. I liked that.

I was a backup dancer at one point for a group that was on RCA.

You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.

We're giving RCA another record, and that should finish them.

The day that I actually tied with RCA, I didn't even go to sign. The energy was that good. I wasn't in the buildings that day specifically decided it was just more of furthering the relationship and seeing in the building and just meeting more people or whatever. But I don't know the interview was right.

You can't deny RCA's past and its history. I was also on Capitol Records, so I have that past history.

Now that I'm with RCA, they were able to get radio on board, and it's just really awesome to see their support and 'What Ifs' going to No. 1.

I was signed to RCA to be a country singer.

With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.

There was a bidding war between Epic Records and Jive - now RCA - which was bittersweet. Just having labels bid over me was really cool, but I ended up going with Jive because it felt better over there, and they have my favorite artists like Usher, Chris Brown, and Justin Timberlake.

I was considered one of RCA's brightest young people. Then one day, I found out we'd been sold. They didn't even consult me.

But 'Night Herding Song' was funny 'cause we tried to record it in the studio in RCA one day, but theres no reverb in the room... Its really hard to do a piece like that without any reverb because you cant hear anything back.

In 20 years I had sold more records for RCA than any artist except Elvis Presley.

If you go in RCA A, you'll realize that it's not just a Nashville thing. It's a studio that belongs to music.

My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.

I was talking to different labels: Columbia, RCA , Epic. I decided not to sign with Epic even after L.A. Reid offered me a crazy deal.