Quotes About Recognition

When the whole 'Saw' thing died down, I feel like I had praise withdrawals. I had never been congratulated so much on something in my life. So, it was a really amazing whirlwind when 'Saw' came out.

I think sometime during the peak of 'Whiskey Glasses' is when I realized: 'Man, this is really starting to happen. People are not not just singing these singles, they're singing every song on my album and really invested in what I'm doing.'

I just cannot imagine why anyone would want to be really famous. You go to a restaurant and people are pointing at you and they talk about you and they whisper and it is very disconcerting; it is a very odd feeling.

Sometimes I walk down the street and hear people whisper 'that's Tricky' and I look back, and I see them looking back, then that affects everything I do - the way I walk the way I talk. It stops you being real.

After I'd been on Friends, people would whisper as I went past. I no longer had proper dialogues with people.

When I'm out the street, I get people whispering behind me, 'Isn't that Jennifer Lawrence?' I should start doing autographs - although if you stood us side by side, you wouldn't make that mistake.

The working men, I'll go by and they'll whistle. At first they whistle because they think, 'Oh, it's a girl. She's got blond hair and she's not out of shape,' and then they say, 'Gosh, it's Marilyn Monroe!'

I want everyone to whistle when I come on screen. However, even if that doesn't happen, I hope people like my work.

I may be a character artiste but I want the audiences to clap and whistle for me as well.

People took notice of me and saw that I can carry off light-hearted roles as well. They started talking about Pritam Vidrohi, and it became a lovable character; I saw that people were clapping and whistling. It was a big high to watch this kind of reaction.

What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.

There was not a single Negro slave owner who did not know dozens of Negroes just as capable of learning and efficiency as the mass of poor white people around and about, and some quite as capable as the average slaveholder. They had continually, in the course of the history of slavery, recognized such men.

Why is she Mrs. C.J. Walker? It really was a matter of her trying to insist that people respect her, because during that time, white people would call any black woman 'Sally.' 'Aunt Sally.' So this was like... you can't call me that.

White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?

Everybody says it: black, white; everybody calls me a legend. Italians, Jews. Everybody.

You don't hear that much about me being a white and singing soul music in England, but I get the feeling that in America it's really a big thing. It's like, 'God, look at the color of her skin.'

For example, I was a White House intern the summer before I dropped out of law school. Everybody knew about it. I'd come home and go to church and everybody would say, 'Oh, my God. Demetri, you're working at the White House.'

As always, whenever I'm contacted by the White House, I'm just humbled.

I wish that a White House celebration of your athletic achievements could be free from politics.

When I worked in the White House in the 1970s and '80s, I was often stopped within the White House by agents checking my credentials. They were very observant and would stop anyone they didn't recognize.

All I really had was my talent. Without that I wouldn't be welcome at the White House.

Every now and then, I have blissful moments of thanking God for all the amazing things that are happening. When I leave the White House after just meeting Obama or when I see my face on the cover of 'Rolling Stone' or when I meet someone who tells me that their daughter is inspired by me, those are moments that are incredibly joyful.

I've been to the White House and had Hilary Clinton push through the crowd to come and meet me. Chelsea Clinton, too.

In essence, I owe my career to Garry Marshall. There was no known reason for him to hire me for 'Pretty Woman.'