Quotes About Recognition

When I was young, people didn't even really know what a producer was.

A lot of people want to blow up as a producer, but what helps you blow up as a producer is an artist that matches well with your music. When that artist gets popular and blowing up, and people start knowing them, that's when they start knowing you.

I think you should do Bollywood once you are all into your own market. Doing a Bollywood song for a particular actor or producer, you should be known in the world outside of Bollywood music.

I find, as a woman and as a producer, I spend a lot of time convincing people I actually did the work.

Even though I've been making electronic music since I was 14, it's hard for people to see you as a producer with a musical identity when you're contextualized in a band that performs on a stage.

I never thought that a time would come that someone will write a story keeping me in mind, or a producer will invest crores of rupees on a film that I will carry on my shoulders.

I'd had colleagues tell me, 'You should be calling games.' But to actually have a producer call me and say, 'We want you in the booth,' I was like, What?

The producers came across some of my photographs. They thought that I resembled Ambedkar closely. So they invited me.

Because of 'The Birds' and 'Marnie' I was, as the expression goes, hot in Hollywood and producers and directors wanted to hire me.

The producers and writers of dance music are becoming the stars, not so much the DJs.

I just think a lot of people don't give credit to EDM producers or DJs. People think they're just button pushers and just get on stage and don't really perform.

When I was fifteen, I got a Tiffany's necklace from the producers of 'Game of Thrones' with my character's name Sansa engraved on it.

The two Hindi movies that I did were not marketed well, and so not many people came to watch the film, hence the audience doesn't know much about me. I am a newcomer, and I cannot sell a film on my own. There has to be a backing in terms of producers.

Everyone gets a raise when they do well. No one asked me what I got for my initial films. There was a time I got paid Rs. 6 lakh. I charge what producers are willing to pay me.

I feel lucky, and I have to thank my writers, directors, and producers for giving me great parts to play on screen.

I owe much of my success to Seann Walsh. He kept recommending me for Live At The Apollo until eventually the producers offered me a gig.

I don't want to be labeled as just a producer. Producers have little control and they get little respect. And I'm a man of respect.

I want my sheer work to to speak for my talent and it will be quite an achievement, I believe, if producers and directors look at my work and offer me something.

All it took was one good role to convince producers all over again that I could act.

I often say to people that producing is the best-paid form of cowardice. When you produce things, you almost always get credit if it's a good record, but you hardly ever get the blame if it's not! You don't really take responsibility for your work.

Producing came about because I never wanted to be in one of those books, Where Are They Now?

If I get anything out, producing anything, no matter whether it's good or not, I allow myself a little pat on the back.

I love writing and producing but I don't think a lot of people know my artist stuff.

If you have a great product but no one knows about it, it's history.