Quotes About Recognition

I was, I think, extremely lucky, because the minute I saw my face plastered on 'Time' magazine in the subway with my mother, I just said, 'Wow.' And it made 'Time' magazine come down to life-size scale.

My biggest luck was the Terry McMillan era, because what happened after the phenomenon of 'Waiting to Exhale' is that publishing woke up. They said, 'Wow. Black people do read.'

I think sometimes in life we rush and only later look back and say, 'Wow, that was something pretty cool that I did,' and we realize we should have been more aware while it was happening.

I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.

I remember, after the New Year's Eve 1991 show, somebody running onto the bus and saying Nirvana had just hit No. 1. I remember thinking, 'Wow; it's on now.' It changed something. We had something to prove - that our band was as good as I thought it was.

Before that film, I was nobody. Each job I got, I was so excited. Each paycheck I got, I thought, 'Wow, I'm getting paid to act.' But 'The Matrix' gave me so many opportunities. Everything I've done since then has been because of that experience. It gave me so much.

When I was first starting out was also when I first started really paying attention to the Oscars and stuff like that. And I remember thinking, 'Wow, everything is great for women in Hollywood, because Meryl Streep, Glenn Close, Jessica Lange, Sally Field - they're all doing incredible work.'

If I'm, like, in a grocery store, I don't get recognized that much, but it's like, you know, when someone comes up to me and says, 'Hey, I'm a big 'Pushing Daisies' fan,' you just feel like, 'Oh, wow - you're the one who watched it. So nice to meet you.'

It's crazy to call myself as the sexiest woman. I'm like, wow; this is cool. Looking at the past years, I was expecting 5th or 6th position. But standing on the 3rd position was totally unexpected.

I am not an insecure person. Thanks to my training in martial arts, I have it in me to appreciate good work, say 'Wow,' and say 'You deserve it.'

I remember when I was in 'Hairspray' - my first Broadway show - I truly was in awe of the voices I got to hear on a nightly basis around me. I'm thinking, 'Wow! Why aren't these people selling millions of records?' They're the ones that are out there, you know, belting their faces off!

Whenever Michelle Kwan texts me or mentions my name, I'm like, 'Wow.' I still can't believe that this is someone who I grew up looking up to, and they know my name.

The first role that I played as a musical - I was 14 years old, and I played Birdie in 'Bye Bye Birdie.' That was an awakening of, 'Wow, I'm good at that. People are responding.' And I hardly knew what I was doing back then, but there was something that people were seeing.

I was frustrated in the past, like, 'Wow, why do they have to throw me in the R&B urban adult contemporary lane?' 'Woman' was a no. 1 hit at Urban AC, so there's no disrespect to that lane. But did it get a fair shot at urban radio? No, I don't think so.

When I hear 'The Twist,' sometimes I hear it, and I go, 'Wow - I really did that song. It could have been anybody, but it was me. Isn't that great.'

My son, who is 7, he passed a car in a parking lot that was probably a 1998 model, and he said, 'Wow, Dad, look at that old car.' I was looking around for an old car, and I realized that my old car maybe stops at 1965.

When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'

After I've sat back and looked at my body of work, thought about it, I go, 'Wow, I guess I am a Hall of Famer.'

It's so cool to hear these DJs and younger artists that are coming around be like, 'Wow, we love your music.'

For my father, he didn't know what 'Grey's Anatomy' was. He didn't know who John Mayer was. But when I showed up on the 'Law & Order' TNT promo spot, he thought, 'Wow, my son has made it.'

Duane Eddy is somebody I wanted to play like. I discovered him before The Beatles, and he totally got to me. He sent me a note back in 1977 and said that he really liked what Cheap Trick were doing. That's one of those 'Wow!' moments, you know?

In the case of Sadie Gibbs, fans were going, 'Have you seen Sadie Gibbs?' I'm like, 'Who the hell is Sadie Gibbs?' I looked into her work, and went, 'Wow, this is why these people are so into her.' She's very talented.

It wasn't until the fourth or fifth Van Halen record that people would go, 'Wow! You're singing backgrounds on those records. That's not David Lee Roth.' And I go, 'Hell, no! That's not David Lee Roth.'

There's a wow factor associated with my name. It could be due to my work as well as my behaviour.