Quotes About Writing

Productivity is a relative matter. And it's really insignificant: What is ultimately important is a writer's strongest books. It may be the case that we all must write many books in order to achieve a few lasting ones - just as a young writer or poet might have to write hundreds of poems before writing his first significant one.

As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.

It's possible I'm a weird person, you know, and if I could only write for people who are like me, I wouldn't have any audience at all. Ultimately, I'm my audience. I'm writing stories for myself. I don't have kids of my own, and I don't hang around kids all that much. Maybe that puts me at a disadvantage.

I think it's always an adjustment for me, but I do feel like, ultimately, I can kind of write anywhere. It just takes a second to get back in to the groove.

In some ways, in 'The Queen of the Night,' I'm writing about some of the experience that I had with 'Edinburgh' where I was entirely unable to speak about what had happened to me as a child, but I could read from the novel.

I was a grade B housewife, maybe a B minus. But when I got time to write, I would be unable to finish a sentence. I had anxiety attacks. Partly it was a way of personifying the situation because I couldn't breathe. I was surrounded by people and by duties. I was a housewife and the children's mother, and I was judged on how I performed those roles.

I have a particular affliction. I am unable to say a word I can't spell.

If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.

After finishing a draft, no matter how rough, I almost always put it aside for a while. It doesn't matter if it's a story or a novel, I find that when it's still fresh in my mind I'm either thoroughly sick of its flaws or completely blind to them. Either way, I'm unable to make substantive edits of any value.

I spent four of my five years at Stanford writing a novel I was unable to sell.

It's a long process for me since I am unable to write a script faster.

It's still unacceptable for women to have negative emotions, especially anger, and I was trying to write against that.

Your spouse, a sibling, a friend need to read your drafts. They have to be people unafraid to tell you what sucks. For early feedback, that's more important than professional editorial skill. Most people know what sucks.

Perfection is an unattainable goal. It isn't going to be perfect. Just get words down on paper, and when you stumble to what you think is the end of the book, you will have hundreds of pages of words that came out of your head. It may not be perfect, but it looks like a book.

My writing is inspired by just about everything, yet I am unaware of so much of the process.

I knew how to write like an academic, so I knew how to write academic papers and essays and things. But the things that are great for an essay are unbearable in narrative writing.

Fozzie Bear has so many bear puns in this script - like, 'Trac is grizzly!' 'This is unbearable!' It's the greatest.

I wrote three mysteries and then a contemporary spy novel that was unbelievably derivative - completely based on 'The Conversation,' the movie with Gene Hackman. Amazingly, the character in the book looks exactly like... Gene Hackman.

You know that thing people say, 'poetry is the hardest, stories are the second hardest, novels are the easiest?' I'm here to tell you that novels are the hardest. Writing a novel is unbelievably difficult. It's nightmarish.

Jeff Kinney is tall and has a great smile, but don't be fooled, he's as slick as they come. A real player. And how he came up with a book that appeals to kids ages 8-13 baffles me. He's an unbelievably kind man with a great family.

There was a terrible fear for me when I started writing, which was that if you'd been denied unbelievably tumultuous experience, you didn't have permission to write.

Writers don't always know what they mean - that's why they write. Their work stands in for them. On the page, the reader meets the authoritative, perfected self; in life, the writer is lumbered with the uncertain, imperfect one.

I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.

It took me a long time to even dare to envision myself as a writer. I was very uncertain and hesitant and afraid to pursue a creative life.