Quotes About Writing

Il romanzo e' una strada a due sensi dove la fatica che si richiede a entrambe le parti alla fine risulta uguale. Leggere, se lo si fa come si deve, e' difficile tanto quanto scrivere.

All I write is, to me, sentimental. A book which doesn't leave people either happier or better than it found them, which doesn't add some permanent treasure to the world, isn't worth doing… This is my "theory", and I maintain it's sentimental - at all events it isn't Flaubert's. How can he fag himself to write "Un Coeur Simple"?

Writing is routinely described as creative —this has never struck me as a correct word. Planting tulips is creative. To plant a bulb(I imagine, I've never done it) is to participate in some small way in the cyclic miracle of creation. Writing is control.

The connection between writing and dancing has been much on my mind recently: it's a channel I want to keep open. It feels a little neglected — compared to, say, the relationship between music and prose — maybe because there is something counter-intuitive about it. But for me the two forms are close to each other: I feel dance has something to tell me about what I do.

when she'd finished she would give one of four possible judgments. "Zippy"—which was good; "Important"—which was very good; "Controversial"—which could be either good or bad, you never knew; or "Lidderary," which was pronounced with a sigh and an eye roll and was very bad.

Talking to yourself can be useful. And writing means being overheard.

no geographic or racial qualification guarantees a writer her subject. Baldwin's pedigree didn't gift him The Jimmy. Only interest, knowledge and love will do that...

I always tell my students: a style is a means of insisting on something.

Don't romanticize your vocation. You can either write good sentences or you can't. There is no 'writer's lifestyle.' All that matters is what you leave on the page.

Be completely fearless. [...]Write without constraints, or worrying about who you represent, or whether you should represent anyone, or who your audience is, or what you can or can't do with a female character, or a black character, or someone of restricted growth, or someone who's hugely fat. You must write total confidence that the fiction is its own justification.

The only means I have to stop ignorant snobs from behaving toward genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my argument by writing well").

Poezija rašoma ašaromis, apsakymai - krauju, o istorija - nematomu rašalu

What is writing but an expression of my own life?

the foot of his chair.

When he had gotten rid of his exuberance he sat down at once to write to his brother Hal about it, and also his forest-ranger friend, Dick Leslie, with whom he had spent an adventurous time the last summer.

Perhaps it is just as well to be rash and foolish for a while. If writers were too wise, perhaps no books would get written at all. It might be better to ask yourself 'Why?' afterward than before. Anyway, the force of somewhere in space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you.

It is this urge that resonates in Toni Morrison's Song of Solomon and Beloved, and in Walker's depiction of Hurston as our prime symbol of "racial health—a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature.

Put simply, Hurston wrote well when she was comfortable, wrote poorly when she was not.

While I was in the research field in 1929, the idea of Jonah's Gourd Vine came to me. I had written a few short stories, but the idea of attempting a book seemed so big that I gazed at it in the quiet of the night, but hid it away from even myself in daylight.

But if I should live to be very old, I have laid plans for that so that it will not be too tiresome. So far, I have never used coffee, liquor, nor any form of stimulant. When I get old, and my joints and bones tell me about it, I can sit around and write for myself, if for nobody else, and read slowly and carefully the mysticism of the East, and re-read Spinoza with love and care. All the while my days can be a succession of coffee cups. Then

When a book goes well, it abandons me. I am the most abandoned writer in the world.

I could not write on 'Downton Abbey'.

The truth is, I hadn't grown up really wanting to be a writer. The whole thing was a weird aberration in some ways, and I didn't feel personally connected to the level of success I had with it - the success of sorts, I guess.

I don't think you should write a book until you tell the absolute truth. You can't do that until you're 85, and I don't want to live that long. I've always prided myself on knowing when to get off, and I hope it works out that way.