Quotes About Writing

I love all of my children equally, all of my printed books, and each one bears a special piece of me. But the one I'm most proud of is the one no one will ever see - the very first manuscript I ever wrote, back in 1990. It took me a year to do it.

I am a little old fashioned, and I love to have my scripts printed out. There is something magical about feeling the paper, making notes and page marks.

I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.

The most painstaking phase comes when the manuscript is set in 'type' for the first time and the first proofs of the book are printed. These initial copies are called first-pass proofs or galleys.

I was now ordered to have my writings copied, and put into the printer's hand.

No matter how beautiful the paper, artwork, printing, and binding, I'm seldom drawn to a book unless it's by a writer I care about or on a subject that appeals to me.

I think it's all about the people who listen to your music, and loving playing and writing. Once you've got those two, and they're your main two priorities, then radio and TV and all the other stuff that comes with it will come. But that's not the be-all end-all.

I tend to research as I write so that the narrative can take priority, which is important for a piece of fiction, I think, finding out facts as and when I need to.

Writing - not being a writer with interesting habits - gets priority.

Corporate career is like my wife, and writing is my girlfriend. My priority is the first but enjoy doing the second, as I have taken to writing as a stress-beater.

Acting is always the priority and I love doing what I do, but I'm also very interested in directing and writing and getting a hand in every part of the movie making process.

I still see life entirely through its Darwinian prism. I keep trying to shake off the aftereffects of writing 'The Thing About Life Is That One Day You'll Be Dead', and I find I can't.

You look around the world in 2013, and you say, 'How many prime ministers or presidents are in prison?' One or two. 'How many generals or bankers?' Two or three. 'But how many writers?' 850 or so.

Chopper Read attended a writing school I gave for inmates at Risdon Prison in Hobart many years ago. Even if I hadn't known about his hacked-off ears and his criminal history, I'd have found him powerful and compelling.

I wrote a lot of lyrics in prison, but they'd all be like, 'Crawls upon the shoulders, hatred in the eyes.' I wrote about 50 songs in there that were all about jail. I've come out and thought, 'I've only served eight weeks; I can't really write a concept album about jail.'

When we first started to write our first movie, 'You Are Going To Prison,' we wanted it to be crazy and unique, brand new, our voice, not like anything that'd ever been before. It took us about a year to write our first script.

I usually work in a room which is totally cluttered with my mess, and there's stuff everywhere, and it's kind of chaotic because I am a very messy person. I could totally write in a pristine environment, but it would mean I would have to be at someone else's house.

Privacy has become the most precious thing. Things have got more cryptic in my writing.

Even as I was writing 'Empire State,' I knew there were more adventures for the main character, private detective Rad Bradley, to have. I also knew that the world was far larger than what I'd presented in book one.

The first 13 years of my life, I lived in China. My parents were missionaries there, and I was an only child. Often I felt lonely and out of place. Writing for me became my private place, where no one could come.

I think it was really important for me before I 'debuted myself' in front of the world to have a private life with my imagination and my writing for several years. That also made it so I didn't feel desperate for someone to find me.

If I am going to write a book, which I have done, I think we have to get it right - whatever has been written about me, about football, about my private life.

I can't ever think of writing a book or an autobiography. I'm a little private person.

I hadn't ever worked with an 'editor' until I was 26 - although that could be partly chalked up to the MFA vs. NYC thing, where I came up through institutions that encouraged writers to write privately for a long, long time and not sully themselves with concerns about audience or the business side of writing.