Quotes About Writing

When I write, I have a sort of secret kinship of readers in all countries who don't know each other but each of whom, when they read my book, feels at home in it. So I write for those readers. It's almost a sense of writing for a specific person, but it's a specific person who I don't know.

I spent three and a half years writing the novel 'Chang & Eng,' about the conjoined brothers for whom the term 'Siamese twins' was contrived, and when I think of these afflicted people, my only emotion is one of profound sympathy.

I thought I was going to write fiction but I fell backwards into non-fiction. It started when I got locked out of two apartments in one day and I told the story to some friends, one of whom worked in the 'Village Voice' and asked me to turn it into an essay.

There were probably, what, 300 science-fiction members in the SFWA, of whom probably a hundred were active members in the sense that they were selling something every year, or every couple years.

All novelists must form their personal pacts in some way with the slowness of their craft. There are some who demand of themselves a 'rate of production,' for whom it's a matter of pride to complete, say, a book every year.

If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.

I don't think of my characters as people I create, I think of them more as people I have met and whom I'm exploring on the page. I don't actually think of myself as having 'created' any of these people.

Anybody who sits down to write, and they think 'thriller,' maybe shouldn't be thinking that way. Maybe we should be thinking 'novel,' maybe 'thriller' way in the background, but that these are real people to whom things are happening. It just happens to be a hell of an exciting story.

So must the writer, whose productions should Take with the vulgar, be of vulgar mould.

It was Noel Coward whose technique I envied and tried to emulate. I collected all his records and writing.

I write in two very different places: my desk in Palo Alto, California, is piled high with myriad jumbled books and papers whose stratigraphy is a challenge. Summers in Bozeman, Montana, I write in a spare space, surrounded by interesting rocks and fossils instead of books, on an old oak table with nothing but my laptop.

I have, for a very long time, been a huge admirer of Marilynne Robinson, whose work I just love.

There are certain families whose members should all live in different towns - different states, if possible - and write each other letters once a year.

If I am thinking the same as everyone why bother pushing to get it published?

I ought to be more hardboiled; I'd like to be. I don't think I have it in me. To write in clipped sentences. To employ gritty metaphor in the introduction of sultry blondes... I can't do it, so why bother trying?

I think there's a joy to be had in taking readers where they just don't want to go. If you are writing a properly realist novel, then don't blink. Why not see something for what it is and render it truthfully? I find it a good way of going about writing - not to blink.

I ended up switching over to journalism in college. A few weeks into freshman year, I realized that business school wasn't for me. And writing stories and reading and talking to people is something that I just enjoy doing, so I figured why not try to build up a post-basketball career with that.

If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?

It's our job as fiction writers to provide a delight that nothing else can - to such a degree that people have no choice but to read our work. Now that's a very tall order, if not impossible. But why not try?

I don't write listening to music, and in a way it seems silly that any writer should have to explain why not, as it's possibly no different from saying you don't eat gourmet dinners or play tennis while you're at the keyboard.

I had written children's books for 14 years before I published 'Wicked.' And none of them were poorly reviewed, and none of them sold enough for me to be able to buy a bed.

Every afternoon, I shut the door of my bedroom to write: Poetry was secret, dangerous, wicked and delicious.

Writers are always writing about infidelity. It's so dramatic. The wickedness of it, the secrecy, the complications, the finding that you thought you were one person but you're also this other person. The innocent life and the guilty life. My God, it's just full of stuff for a writer. I doubt it will ever go out of fashion.

The open letter has always been an interesting rhetorical strategy - a way of delivering a pointed message to a specific individual or group while also reaching a wide audience.