Quotes About Writing

You wouldn't be a writer if reading hadn't enriched your soul more than other pursuits.

Other days, though, my writing is like a person to me—the person who, after all these years, still makes sense to me.

hope, as Chesterton said, is the power of being cheerful in circumstances that we know to be desperate. Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong. It is no wonder if we sometimes tend to take ourselves perhaps a bit too seriously. So

A writer paradoxically seeks the truth and tells lies every step of the way. It's a lie if you make something up. But you make it up in the name of the truth, and then you give your heart to expressing it clearly.

good writing is about telling the truth. We are a species that needs and wants to understand who we are.

Vonnegut said, "When I write, I feel like an armless legless man with a crayon in his mouth.

E. L. Doctorow once said that "writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.

And I don't think you have that kind of time either. I don't think you have time to waste not writing because you are afraid you won't be good enough at it, and I don't think you have time to waste on someone who does not respond to you with kindness and respect.

Writing can give you what having a baby can give you: it can get you to start paying attention, can help you soften, can wake you up. But publishing won't do any of those things; you'll never get in that way.

Ever since I was a little kid, I've thought that there was something noble and mysterious about writing, about the people who could do it well, who could create a world as if they were little gods or sorcerers. All my life I've felt that there was something magical about people who could get into other people's minds and skin, who could take people like me out of ourselves and then take us back to ourselves. And you know what? I still do.

Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said you can safely assume you've created God in your own image when it turns out that God hates all the same people you do.)

even though you know that your manuscript is not perfect and you'd hoped for so much more, but if you also know that there is simply no more steam in the pressure cooker and that it's the very best you can do for now—well? I think this means that you are done.

There is a real skill to hearing all those words that real people—and your characters—say and to recording what you have heard—and the latter is or should be more interesting and concise and even more true than what was actually said.

Writing involves seeing people suffer and, as Robert Stone once put it, finding some meaning therein. But you can't do that if you're not respectful. If you look at people and just see sloppy clothes or rich clothes, you're going to get them wrong.

I honestly think in order to be a writer, you have to learn to be reverent. If not, why are you writing? Why are you here?

When what we see catches us off guard, and when we write it as realistically and openly as possible, it offers hope.

Say to yourself in the kindest possible way, Look, honey, all we're going to for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.

Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do—the actual act of writing—turns out to be the best part. It's like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward. I

publication is not all that it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do—the actual act of writing—turns out to be the best part. It's like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.

I tell the six-year-olds that if they want to have great lives, they need to read a lot or listen to the written word. If they rely only on their own thinking, they will not notice the power that is all around them, the force-be-with–you kind of power. Reading and writing help us take the blinders off so we can look around and say "Wow," so we can look at life and our lives with care, and curiosity, and attention to detail, which are what will make us happy and less afraid.

she uses a formula when writing a short story, which goes ABDCE, for Action, Background, Development, Climax, and Ending.

Writing is about filling up, filling up when you are empty, letting images and ideas and smells run down like water - just as writing is also about dealing with the emptiness.

Writing Down the Bones

and hope, as Chesterton said, is the power of being cheerful in circumstances that we know to be desperate. Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong.