Quotes About Writing

Singing didn't really come naturally to me, I don't think. I had to really work at it. I just kept singing. I never was really worried about it, though, because I was writing songs, and that was the most important thing to me.

I am so worried about my shoulder, which aches now as I write. The pain is frightening because of its intensity. I want so much to get rid of this pain. I must be strong. I must be strong.

But if I worried too much about publishers' expectations, I'd probably paralyze myself and not be able to write anything.

One thing that worried me was how writers get categorized and so they end up having to write the same kind of book again and again. That is fine if it is what you want to do, but I would rather be locked in the trunk of my car with a weasel than write the same book every three years until I die.

I've been writing lullabies since the beginning. I kind of did it for myself to help myself fall asleep when I really worried, like when I was homeless and I'd fall asleep in my car.

I was a woman writing at the early moment when small drops of worried resentment and noble rage were secretly, slowly building into the second wave of the women's movement. I didn't know my small-drop presence or usefulness in this accumulation.

I always worried that the creative well would dry up. I was sure that if I wrote a book a year, I would eventually run out of ideas. Actually, the opposite has been true for me. The more I write, the more ideas come to me and it gets easier.

I really liked the idea of creating a journal myself. It's like the way I clear my throat. I write a page every day, maybe 500 words. It could be about something I'm specifically worried about in the new novel; it could be a question I want answered; it could be something that's going on in my personal life. I just use it as an exercise.

After 25 years sitting on my own in a room, I was looking for a more companionable job and wanted to work more collaboratively. I've also been very lucky in my career, with good advances and multibook deals. But there is some extent to which I worried that I was writing for the contract and not for the impulse of the thing itself.

I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.

I've never worried about 'the reader' because there isn't one. There are thousands, and they all have strong opinions, from 'Magician' was the best ever,' and I've gone downhill since to 'The new book is the best ever,' so to whom to I listen? So I write for myself and hope other people like it.

Follow your instincts. Do the kind of writing you love to do and do best. 'Stiff' was an oddball book - I mean, a funny book about cadavers? - and I worried that it would be too unconventional. In the end, that's what has made it a success, I think.

I'm not as worried about the process of writing, simply because I think I've got that one down, you know? I think I know what brings specificity to these ideas, what brings specificity to the genre elements, or anything else, and it's personal emotions.

I've never written a novel before, and part of the reason I haven't is I was worried about getting 50,000 words into a book and realizing I'd made a mistake on word three that would mean throwing everything out.

The funny thing, I guess, is that my husband ended up being the muse of a book about the worst marriage in the world, because if he hadn't consistently said, 'Don't censor yourself, don't worry about me' - if he'd been anxious and worried about it - then it would never have gotten written.

When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.

I like to write when things are calm - and when I'm not worried about my well-being, the well-being of those I love.

Yes, I love my homes, I love to travel, I love my family, and I love doting on my new grandchildren. But you can only do so much of that. I don't go to lunch with friends. I don't join clubs. I don't have any big hobbies. I work. I come up with stories. I can't even imagine a life where I'm not sitting around, worried about my next book.

I was very worried about whether I could do it or not. I mean, how arrogant - here I am in my 20s trying to write from the point of view of a woman in her 80s.

I used to get worried about writing a love song, because everyone else is doing them, and there are already enough of them out there. But I came to realize that there's a reason for that: Love is powerful, one of the most powerful emotions there is.

I have the feeling it will influence my future writing to the extent that without any material worries I could develop a greater ease, even lightheartedness, in my writing.

Anyone who has problems, or worries, anyone who laughs and cries, anyone who feels can write. It's only talking on paper... talking about the things that matter to us.

If you want to be a writer, don't worry so much about writing. Read as much as you can. Read as many different writers as you can. Soak up the styles.

Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.