Quotes About Writing

During my life I have seen, known, and lost too much to be the prey of vain dread; and, as for the hope of immortality, I am as weary of that as I am of gods and kings. For my own sake only I write this; and herein I differ from all other writers, past and to come.

People don't become writers because they love having spontaneous, real-world interactions with living people as bodies with clothes in time.

Successful writers say you should never work from a desk with a view, and the view I have from this one is a huge distraction. There's a garden bursting with fresh vegetation, and just beyond the high wall at the end of it, I can see the sign of the local pub across the road. Distractions, eh? I'm so easily led.

The English may not always be the best writers in the world, but they are incomparably the best dull writers.

Writers who don't read can't write well. It's that simple. The more you read, the better you read, the better you'll write. The upside is that you can't read too much, and even 'junk' reading can be constructive.

Too many new writers dress up old cliches.

I think there must be something wrong with me as a writer. Because all my friends who are writers find reasons to hate everything about their day. But I just love writing. I love starting the day with language and seeing if I can make something of it.

I think that's what a lot of writers do, create a totally fantastical scenario that is a reflection of something else going on in their life.

It's not a problem to be surrounded by other writers if that's the craft that you're doing. I suppose if you get obsessed with the notion of being a writer more than the writing itself, that would be bad. But I live near really smart, thoughtful people who take writing very seriously, and I can meet them for breakfast and talk books.

There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.

One of the things that put me off writing for a while was that piece of advice everybody gives new writers: 'Write what you know.' Nobody would ever want to read about my boring life! But I do know a lot of things about different societies' cultures and mythologies. The way people were and are.

I've met many, many writers who say they would never write about their family, never write about people they did not totally make up. But that is not the composition of my character.

I'm one of those writers that have always worked on multiple things.

Writers are lampposts and critics are dogs. Ask lampposts what they think about dogs. Does the dog hurt the lamppost?

There's exceptional work being done on television. Some of our great writers are writing for television. When you have things to choose from, you typically go after the writing - unless you're going after the money. There are fewer opportunities in film to make money with good writing, unless you're an action hero.

That is my major concern: writers who are in prison for writing.

I think a lot of writers spend years just getting up the courage to write because it seems like such a fantasy of a profession. My dad saved me all that time by making me think, 'Oh, anyone can be a writer. It's like being a firefighter or a lawyer.'

Michael Arndt, that guy - you're just supposed to say nice things about other writers, but I worship Michael Arndt.

I'd never be where I am if more successful writers hadn't taken an interest in me and done me a good turn - be it chiming in with constructive criticism or giving me sound advice about my career plan.

I used to think that most published writers, the ones I admired, had a muse, or a special connection to the universe, to nature, or to aliens - something inaccessible to me that caused their prose to flow onto the page, already perfect.

I'm one of the lucky writers: plots come easily to me.

TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'

You know, all writers are vampires and they'll look around and they watch you when you're not even thinking they're watching you and they'll slip stuff in.

Our only solace as writers is in the work itself, and perhaps also in a penchant for blissful ignorance that allows us to gamble, to risk, to keep going where others would tote up the odds and stop.