Quotes About Writing

With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.

One of my favorite ways to write paranormal, as in the 'Wake' trilogy, is to write very normal characters with just a hint of something other-worldly. Like somewhere, maybe, someone really can get sucked into other people's dreams.

If getting a contract was relatively straightforward, writing fiction was far harder than I could have imagined, and there were moments during the long and torturous edit process when it seemed that 'Zulu Hart,' the first of the trilogy, would never be fit for public consumption.

In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.

Even if you are lucky enough to sell a trilogy, you don't know if you'll ever get to write that whole trilogy. I have many friends who had very long arcs planned in multi-book series that they never got to write because the first book didn't perform.

I've yet to use a cellphone, and I've never tweeted or entered Facebook. I try not to go online till my day's writing is finished, and I moved from Manhattan to rural Japan in part so I could more easily survive for long stretches entirely on foot, and every trip to the movies would be an event.

I do have an office where about 70 percent of my writing gets done, but sometimes it does get a bit stir-crazy to be cooped up in there, so I'll grab my laptop and write somewhere else: another room in the house, out on the patio, or even Heaven-forbid, a trip to Starbucks. But I also write on the road.

I feel like I've grown up a bit. I'm a bit more confident, and I've been reading more, and I've had a little more time to myself. I went on this writing trip to gather my thoughts about where and who I am in this world, and why we're all here.

When I was getting ready for the release of 'Deadline,' when it was coming out soon, I decided that the appropriate way to get people excited about the book would be to write a novella in 30 pieces and publish a piece on my blog every day for a month... during a convention, a week-and-a-half-long trip to New York, and a doll traders' expo.

My breakthrough was when I began to write during my commute, at first taking notes on my Palm Pilot, and then moving on to writing full prose on the tiny QWERTY keyboard of my iPaq smartphone. I got so fast that I was averaging 400 words during the 35 minutes or so I spent on the subway each way, or 800 words round trip.

After a summer trip to Switzerland, which was rich in experiences, I started writing. In the beginning, I aimed at descriptions of nature and folk life until, as the years passed, the description of man became my chief interest.

The tricky thing about fast raps is not really the delivery of them; it's the writing of them, with consonants close enough together that you don't trip up over them.

One of my first jobs was as a recipe tester for a PR agency. One week, the editor of 'Housewife' magazine called my boss and asked me to write a column - the cookery editor had gone away on a press trip. I was terrified.

The knowledge and insights you can get in just one day at a writers' conference make it worth the trip.

I wrote one called 'The No Hotel.' I got inspired in 1989 while I was on a trip down to Brazil, and I didn't finish it until eight years later.

There is a triple layer of jargon when writing about climate change. You have the scientists, who are very cautious now because of the amount of climate denial. Then you have the U.N. jargon - I had to carry around a glossary of terms. It was like an alphabet soup.

I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.

As a writer, I spend a lot of time alone, and I like it. I'm also a long-distance runner, and I love long, solo road trips; I can drive literally all night, drinking coffee, and not even listening to the radio, just strangely content sifting through the random thoughts in my own head.

I just try to write literally what I love. That's usually the barometer that I use. As trite as it sounds, I'm like, 'what would I want to see? What would I be excited about?'

I have met so many people who say they've got a book in them, but they've never written a word. To be a writer - this may seem trite, I realize - you have to actually write.

Every moment of a science fiction story must represent the triumph of writing over world-building.

We all know that the great memories of our childhood are the little triumphs - it doesn't really matter whether that was in writing, art, on the hockey field or on the football field. It's something that makes you feel - 'I can do this stuff.'

Always write your ideas down however silly or trivial they might seem. Keep a notebook with you at all times.

It's certainly possible to write fiction that isn't trivial and isn't what people would call political, but it is very hard to figure out how, because our ordinary lives have such a strong tincture now of the whole world.