Quotes About Beginning

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

There must be a beginning of any great matter, but the continuing unto the end until it be thoroughly finished yields the true glory.

As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?

When I came into the Yorkshire academy I was christened Bluey almost immediately.

Every day is a new opportunity. You can build on yesterday's success or put its failures behind and start over again. That's the way life is, with a new game every day, and that's the way baseball is.

We all have to start somewhere, and doing something is better than nothing at all. Start small so you don't get discouraged and give up. Remember it is all about consistency.

I'm still young; I've had a couple things under my belt. I don't even think I've begun where I'm gonna be eventually. I really feel very much in the beginning of my journey. I feel very new.

When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from.

That first tape I did dropped in 2009. It was just for fun, I'm like 'I'm just going to do something to have fun.' Everyone was just 'put out a tape. You're young. You've got money. It ain't gonna hurt you. Who's it gonna hurt?' So what I ended up doing was I put out the tape, pressed up 20,000 CDs, flooded the streets.

When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.

As a young prosecutor right out of law school at the Alameda County DA's office that Earl Warren once led, I started my work.

I started playing music at a pretty young age.

I started golfing through my dad. I started playing at a really young age.

I've seen so many young filmmakers - even professional filmmakers who get a Hollywood deal - they don't quite know where to begin, where to end, and they'll waste a lot of time making this perfect shot, an establishing shot, and then there's no time left to shoot the dialogue.

At the beginning of my career, I was nervous to talk. I was just a very young girl. You don't want to upset anyone or frustrate anyone - you just want to work.

I'm just a young kid.

Modeling is a great beginning, but it's also a kind of trap if you have any ambition or a mind that needs to be stimulated.

My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.

Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.

Sometimes it's about less is more. It's about the seed. Thinking about this gigantic tree that you think is so beautiful but it started with this just seed.

The very first song I ever wrote was called 'I See Between The Trees,' when I was 9. It was really bad.

Hope is like a harebell trembling from its birth.

To give people that first start in life is a tremendous privilege. It's one of the great joys of being part of a growing company.

The first-ever job I had was in a play, 'Trench Kiss,' with Caroline Quentin and Arthur Smith.