Quotes About Work

I feel like there are a lot of positives in my swing. I'm really going to work around the rhythm of my swing, being able to keep my rhythm and being more consistent. Consistency is what I'm looking for, performance-wise.

I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.

I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.

In this job, you're constantly surrounded by people. There are a lot of demands on your time. And I guess those moments when you can switch off and get away from it are really important.

I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.

I don't really have to switch on and switch off because I enjoy the process of enacting a role on the sets, all those mad hours of shoot and then heading home after work. I don't divide it like normal and abnormal life. For me, the entire process of doing my work and heading home is normal.

As a self-employed person, the idea of a break is completely foreign to me. If I completely switch off for any period of time, I know I'm going to pay for it several times over. For me, it's a lot better and easier to stay in touch and know what's going on seven days a week than to switch off.

I don't have the answer to finding the balance because I think, well, maybe successful people don't switch off.

I can never fully switch off given my work, but laying on the beach replying to a few emails on my mobile is much better than being stuck in the office.

I have the inability to stop thinking and switch off from work at night, which causes a lot of sleeplessness.

A dressing room is both a personal space and a workspace. It changes with the flick of a switch: turn on the relay - the speaker linked to microphones in the auditorium - and you're at work; when that's off, it's your sanctuary.

I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.

When I'm on set, I'm on set, and I focus and get the work done. Then when I'm done, I kind of have this button that I switch. I'm constantly switching this button and putting on different masks, and that kind of keeps me organized.

We switched everything in G League so I had a lot of time to work on my switching.

I find that a small sacrifice such as switching off my phone and blocking out work helps me stay balanced.

Tumblr culture and the whole reappropriation-without-context thing are a double-edged sword in that they both raise awareness of my work and also kind of devalue it at the same time.

The modern work of art, as I have said, is a symbol.

Cannes or Oscars is not only to bring happiness and recognition - they protect people like me. The world knows who you are. You can work. You can express. You can help other people. It's not only the star system. It's a symbol of freedom.

I don't like gross monetary inequities. I firmly believe that the wrong people and the wrong professions are being rewarded, and rewarded absurdly, and that the hardest work the obscenely rich do is ensuring that they preserve their privileges, status symbols, and bloated bank accounts.

Any other illness and you have time off work, but there is a lot of stigma around mental illness. It's frightening to talk about it. The people suffering don't want sympathy.

I am excited to run in the community where my wife and I work, where my daughters graduated and my son attends high school, where my family goes to synagogue, and where I have spent so much time working for and with the people of South Florida.

I am actually in poor health due to chronic fatigue and immune dysfunction syndrome, and my ability to work is greatly diminished right now, so I have to get better before I can start another big project.

I bounce my knees, but I do not have restless leg syndrome. I did an interview, I don't even know who it was with, and they said I told them I have restless leg syndrome and it distracts me from my work. I do not have any syndrome.

Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.