Quotes About Work

You find your limits by going out and trying. We're just like anybody else in any other job. You just can't work 90 hour weeks. You can't do it. We can't sing seven days a week.

I don't know why some people have children at all if they know that they can only take a few weeks off work.

If a filmmaker and I don't get along, it's four weeks of your life, so, whatever. With TV, it's six years.

What I always loved about theater is that that's an experience that a company of actors just sinks itself into for weeks, and you really get to work on the material, and by the time you're in front of an audience, you really own it.

'Real Steel' was this lovely little piece where I held a cup of coffee and talked to Hugh Jackman for three weeks. And that sounded kind of nice.

I probably make more money in a year on 'Newhart' than 70 percent of your working top-name stars. Some weeks I just have six lines, but it doesn't bother me.

Actors, you have to wait for people to give you work, or you have to make your own stuff. But standup, I could just say, 'I want to do standup in 30 minutes,' and I can go do standup. Or I could just say, 'I want to do standup in a few weeks in this city.'

I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.

'Clybourne Park' was my first job after the birth of my son, who was 11 weeks old when we started rehearsals. And while that was truly harder than anything I've ever done, I was grateful every day to be going to work on such an incredible play, with such a generous, intelligent, supportive group of people.

In L.A., I worked as a bagger at a Ralphs for about two weeks. And I said, 'I just can't do that.' Not that it's a bad job. I would put the bread down and then the cans down on the bread, so I got fired. Or I just left. I'm not really sure which one happened.

When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.

I've reached a point in my career when I can demand certain conditions, and one of them is a weekend break every three weeks during the shoot.

If salary is your most important consideration, make sure you don't take too much time off beyond the allotted 12-14 weeks of maternity leave - and certainly don't leave altogether.

I just spent three years on 'The Office.' I made enough money that I can take five weeks out and do a play.

I do my schooling through an independent study program where I am able to do all my work at home, and then every two weeks, I meet with my teacher and turn in my work. When I am on set, I work with a studio teacher, and we do a mandatory three hours of school a day.

We filmed 'Labyrinth' in South Africa for two and a half months and it was just the most unbelievable experience. Lots of sword fighting, mud in hair and lots of weeping! It's very different from 'Downton' because I was going to work and having mud put in my hair - it's the other extreme of the look!

I just do my work, try to do everything I can. I don't weigh in all offseason. I just try to get better, be in better position, be an athlete.

We are weighed down, every moment, by the conception and the sensation of Time. And there are but two means of escaping and forgetting this nightmare: pleasure and work. Pleasure consumes us. Work strengthens us. Let us choose.

I would rather have one article a day of this sort; and these ten or twenty lines might readily represent a whole day's hard work in the way of concentrated, intense thinking and revision, polish of style, weighing of words.

Another mode of accumulating power arises from lifting a weight and then allowing it to fall.

I reject the idea of work-life balance. The phrase is a bald-faced lie, designed to hang over the human psyche like the Sword of Damocles, because balance presumes an even distribution of weight, of value. But anyone who has ever lived understands that no set of tips or tricks can create a lifestyle equilibrium.

Back in 1960 at Christmas time, I did work loading and unloading boxcars for Railway Express. That was a kind of weight training that helped me. I weighed about 160 when I started. I began to gain weight and kept right on gaining until I reached 195 pounds.

A raised weight can produce work, but in doing so it must necessarily sink from its height, and, when it has fallen as deep as it can fall, its gravity remains as before, but it can no longer do work.

I put in the work, got in the weight room and really worked hard and really built confidence within myself.