Quotes About Work

What I learned most from my father wasn't anything he said; it was just the way he behaved. He loved his work so much that, whenever he came on set, he brought that with him, and other people rose to it.

Whenever I go to work I wear a jacket and a tie, because I'm inherently quite lazy, and my books take so long to do, and my publishers don't bug me, so it's so easy to fool yourself into thinking you're working harder than you really are.

If you are only doing what you are getting paid for, and doing it no better than the average employee, then your pay is most likely right where it should be.

That moment in 'Broadcast News' where Holly Hunter is told how great it is to be the smartest person in the room, and she cries and says it's awful - I definitely have moments like that sometimes, moments when introspection and drive can be lonely-making. And it doesn't help that I have a partner who is very work-oriented.

We're ending the situation where any old thug can turn up and work as a bailiff.

I feel bad for guys in other sports that never work a job. Think about it, most MMA fighters have had to do something for money whereas a guy who was an athlete in college sport then went straight to the pros, he's never had a skill outside of sport.

I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.

There's so much control of the audience's experience when you're on stage doing a play, whereas when working on camera, there's a lot of people that have to do a lot of things exactly right for anything that I do to matter at all.

I'm very similar to Chandler in many ways, although Chandler is funnier than me, and Chandler absolutely hates his job whereas I absolutely love my job.

In terms of Cube I think he's very conscious of the technical aspect of the business whereas when you're just hired as an actor, you're not really secure in that part of your work and you're not really paying attention to where the camera.

In daytime, they're doing 50-60 pages a day, whereas nighttime, you do seven or eight.

I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.

I think that all research scientists think of themselves as belonging to a grand tradition, building on work that has been worked on since the very beginning of science itself. Whereas I'm not sure writers think of themselves in the same way.

Movies take a long time because movies take a long damn time to put work into. Whereas music, you don't have as much time. I didn't realize that.

I can very much enjoy taking a year off. Whereas some people would feel crippled by that, I can feel enlarged by it. And then I also like to work nonstop, maybe for a year-and-a-half, and then take a year off.

Some people get very successful for something they're very cynical about - like Alec Guinness in 'Star Wars.' He thought it was ridiculous. Whereas for me, I'm so proud of 'Stranger Things.' I'm so proud of everyone's work in it. And it's become so successful. So for those two to meet is incredible.

Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.

I worked with three designers in my heydays - Bhanu Aathiya, Shalini Shah and Mani Rabadi. Out of these, Mani was the least assertive and aggressive. I remember Bhanu used to be quite insistent and particular about her fees etc whereas Mani was too soft-spoken.

People think I work a lot more than I do. I think because you're in people's living rooms every day they're like: 'Oh my God, you're always on the telly,' but it's like, 'Yeah but you always have to go to work every day nine till five whereas I finish at 12:30 P.M. and then I'm home.'

My mother lived through the Great Depression. Her family of 11 children pulled themselves up by their bootstraps and moved to wherever there was work at the time. And in rural Oklahoma, that wasn't easy to find.

My two must-haves are my cell phone and my MacBook Pro laptop, which allows me to update my Web site from wherever I am, whether I'm in Africa or in Sun Valley skiing.

I'm going to find solutions wherever I can. I think it's all a priority. You can't just say, 'OK, I'm going to work on this but not that.' You have to work on all of it.

I just go wherever work brings me. I share a house with friends in L.A., and I share a house with friends in Montreal when I'm there.

I have a master's degree in photography as a fine art, and I would call my work primarily conceptual. I don't carry cameras with me wherever I go. I get an idea of a subject matter I want to deal with and I pull out my cameras.