Quotes About Work

I'm a big believer that when we put so much into our jobs - and everyone does - you deserve to be get paid for it instead of doing a gig and then having to work in a bar for eight hours.

Generally, what I try to do is always have a money gig and an art gig.

I don't say that I have a job. I have a gig, or a piece, or a film, or a show, but it's never a job.

I've never relied on one job and usually have a few different gigs going.

No one I know has a job anymore. They've got gigs.

I'm from the creative side of Hollywood. I'm up for anyone that wants to support my work. If you have eyeballs and give me a budget and are nice to me, I'm in.

Creative work gives you an almost indissoluble connection with people.

I enjoy doing my work, and I don't want to deal with the other things. When you enjoy doing your work so much, why deal with where to show, how to show, what to do? If the artist finds the right gallery which respects their work and gives them that freedom to do whatever they want to do, the artist can focus on his work.

I think we probably will end up in America because he would be giving up much more to come and live here. If you want to work in film, that's really where you have to be. But I'm not sure that being an ex-pat is very good for one's sense of self.

I love what I do, but more so, I'm glad to have people who care about me close by.

I come from a blue-collar family, and I'm just glad for the work.

I'm just glad to be able to work.

I love the fact that people love my work, and they love me as who I am. I think I am pretty blessed, and I am glad I am in this position, and I am really happy about that.

We're all lucky to be working, and I'm glad to be employed.

I'm glad to see on a first-hand basis how both Andre Braugher and Andy Samberg work. They're both pretty esteemed in both of their fields, respectively - comedy-slash-dramatic acting work.

I started out taking any project that I could because you want the work. You want the opportunity to create, and I'm glad I did because it forces you to really get an understanding of your vision and your voice as a designer when you have to be scrappy like that.

The life of an editor may seem all glam all the time, but there's nothing like schlepping through the city during a torrential downpour to put things in perspective.

We all know that people who've never been on a film set think it's way more glamorous than the people who work on them.

As a dancer, I am either in something glamorous or I am rocking up to work in a leotard and my pyjamas. Dressing in between is quite difficult.

Here's the secret you should remember whenever you hear someone lamenting how tough it is to get ahead in the postindustrial global economy: Few people work nearly as hard as they could.

Our main aim globally is to connect more women to the economy because we know there is a specific market failure there: women are having more difficulty in business than men.

'Time' was a glorious place to work in the years that I was there, from 1959 to 1964.

All glory is fleeting. And, If you do not love what you do, don't do it.

I'm not a glory guy about anything. I just wanted to work to support my family.