Quotes About Work

I am indeed fortunate to work with some reputed directors like Balaji Sakthivel, Sekhar Kammula, and KV Anand sir. Each one of them has a different style, and every day is a learning experience for me.

I believe 'Sonchiriya' is a film that will be recalled with much pride and respect for many years from now. We all worked very hard to make it a special work, and the director Abhishek Sir is a genius.

Rajini sir gave me an opportunity to work with him because he liked my work, especially my style of narration and dialogues. Now, I can't go out and make something very different just to please him. He wanted me to make 'Petta' the way I want it and with my sensibilities intact.

Right after watching 'Kabul Express,' I wanted to work with Kabir sir. Moreover, earlier he was a documentary maker, and the respective genre has always fascinated me, and I still desire to work in one.

It's pretty much the same routine every day. Come in Monday, bags and running. I like to get a run up in the morning with my brother and my sister and when I come in I'll do another one.

My mother would work 14 hours, and she'd come home, and she'd just get right into cooking... she wanted to make sure my brother, my sister and I had food in our bellies.

My sisters both are working mothers. I understand that my being an actress as well as being at home isn't some heroic thing. That doesn't mean it isn't confusing or difficult - especially that question of how you find a balance.

I really love working with my sisters, doing photo shoots with my sisters and appearances all together.

My mom used to work two jobs to take care of me, my brothers, and my sisters. She worked hard to take care of us. Back in the day my mom was actually a dental assistant.

I can't say that my disability has helped my work, but it has allowed me to concentrate on research without having to lecture or sit on boring committees.

Everybody, and that includes an actor, wants to go to work everyday. That said, it's better to sit at home than do a bad film. That can harm your career more than not having a release!

You've got to work. You've got to want an audience to sit forward in their chairs sometimes, rather than sit back and be bombarded with images.

You make a decision whether you just work on the script and believe in every moment and pick out every moment, or if you sit down and memorize lines. Once you really dig into a script, learning lines becomes almost second nature.

I like being busy. I couldn't sit around the house all day and do nothing.

My ambition is to sit behind a desk and work.

There is no doubt that I feel bad when a film flops, but I can't sit back and not take up new work owing to that.

Sitcom is the best gig in show business because it's easy hours, nine to five.

I use a method approach to all my sitcom work.

It used to be that if you were on a sitcom you couldn't get work in film because it was so different. Now it's almost like you have to be on TV to do other film work.

I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.

My mom always worked, and I certainly don't want to look back and think, 'Well, I don't have kids, but I'm glad I did that sitcom.'

The lazy part of me would love to do a sitcom where I could work three days a week and make a fortune.

What I love most is television, and I would love to work on a sitcom.

I love working in television and in comedy, so whenever there's an opportunity to work on a TV sitcom, I'm like, 'Yes please!'