Quotes About Duality

Divinity in Its Transcendence, the Absolute before any Self-manifestation, cannot be contemplated, for contemplation implies a subject and an object, and the Absolute is beyond all duality, all "place" and all knowing. It is the Mystery, the utterly inscrutable secret in the deepest part of Being, veiled behind all the inmost veils, yet somehow luring and teasing the lover. And the lover waits outside the door, ready to surrender his life at a sign.

F. Scott Fitzgerald said, "The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.

Poisons and medicine are oftentimes the same substance given with different intents.

And if there is a devil,/ Then there must be a god.

There is in fact coming and going, bending and breaking. One single bolt or screw holds the blades of a scissors together, into one tool that can cut paper or leather or steel or meat. If you take that screw or break that bolt, the scissors become two things. Two knives. Eyes can cut, too, back and forth. Eyes can turn outward or inward.

I think superheroes are heroes with flaws, and in their flaws, there is a sense of humor.

The war between light and darkness is not fought between countries, ethnic groups, or religious factions, but waged within each of us, every day.

Let's just agree that neither side has a monopoly on assholes. The point is, once you recognize that every human model of reality is fundamentally unreal, then it all just comes down to which one works best.

contrast between

each of us has the potential, or mental templates, to be saint or sinner, altruistic or selfish, gentle or cruel, submissive or dominant, sane or mad, good or evil. Perhaps we are born with a full range of capacities, each of which is activated and developed depending on the social and cultural circumstances that govern our lives. I

This story is about love, which means that it is also about hate.

The pre-Socratic Greek philosopher Parmenides taught that the only things that are real are things which never change... and the pre-Socratic Greek philosopher Heraclitus taught that everything changes. If you superimpose their two views, you get this result: Nothing is real.

There is bad in all good authors

I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.

I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.

I shall be dark and French and fashionable and difficult. And you shall be sweet and open and English and fair. What a pair we shall be! What man can resist us?

Je suis l'égout, Brodeck. Je ne suis pas le prêtre, je suis l'homme-égout.

Rien n'est tout noir, ni tout blanc, c'est le gris qui gangne. Les hommes et leurs âmes, c'est pareil... T'es une âme grise, joliment grise, comme nous tous...

Ik heb nog nooit een schoft of een heilige gezien. De dingen zijn nooit helemaal zwart of helemaal wit, alles is grijs. Mensen en hun zielen ook… Je ziel is grijs, behoorlijk grijs, zoals die van ons allemaal…

If you grow up between cultures, if you get accustomed to traveling, it's easy to find yourself always on the outside of things, looking in. This can be ideal for a writer—or a spy; you've always got, analytically, a ticket out.

Our interest's on the dangerous edge of things. / The honest thief, the tender murderer, / The superstitious atheist.

I have on my bookshelf a series of books with opposite titles: 'The Alpha Strategy' and the 'Omega Strategy'; 'Asia Rising' and 'Asia Falling'; 'Free to Choose' and 'Free to Lose'; 'How to Win Friends and Influence People' and 'How to Lose Friends and Alienate People.' Visitors love the collection.

The piano and the singing are two equal things to me - maybe not inseparable but very connected. You can say they are like two equal voices.

There were two very distinct voices going on in my head and I moved easily between them. One had to do with sports, street life and establishing myself as a male... The other voice, the one I had from my street friends and teammates, was increasingly dealing with the vocabulary of literature.