Quotes About Portrayal

It's fun to play people who are flawed.

I am a close friend of Robert Loggia. And I just love how, with actors, there's the screen persona. Here is Robert, known for his portrayal of many characters, including gangsters. But in real life, he is elegant and erudite. He sits in the garden reading the sonnets of William Shakespeare.

I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.

Part of the popularity with Louis Farrakhan has less to do with the content of his message and more to do with the form that he portrays himself - as being a free black person who speaks what is on his mind with boldness and fearlessness. Who is willing to pay the consequences.

There's enough of a willingness in the West to do sympathetic movies about Arab roles.

My job as an actor is to cover and expose in varying allowance that - so that the audience can peek through the window to the people I create.

I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.

It used to be that you had to make female TV characters perfect so no one would be offended by your 'portrayal' of women. Even when I started out on 'The Office' eight years ago, we could write our male characters funny and flawed, but not the women. And now, thankfully, it's completely different.

Before there was any talk of a movie, people would sometimes ask me what actors I would imagine playing these characters. And the only thing I could ever say is: I have such a clear idea of these characters that they'd have to play themselves.

I like playing characters in the real world.

I did theatrical caricatures.

Movies such as 'Mr. Smith Goes to Washington' in 1939 to 'Dave' in 1993 portray Washington leaders as the ultimate Everymen - decent people just like you and me, only thrust onto greatness.

I'm very worried about the depiction of women on the screen. It's gotten worse than ever and it's related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There's nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.

I find it rather easy to portray a businessman. Being bland, rather cruel and incompetent comes naturally to me.

I'm dedicated to bringing to life what the author is trying to portray. I try to make the producers cry and the crew laugh.

With a film, I do my best to understand the author's intentions and try to bring the characters to life.

It's a dream come true to have someone else portray me. Because I've been living this life for a long time, and I'm over myself.

There are as many ways to do this as there are to portray characters in the theater. You can be the drunken cowboy from Texas or the wildly animated lady from Taiwan who can't wait to get her next bet down. You can be Caspar Milquetoast, the nervous accountant from Indianapolis who has already lost too much down the street. Or Miss Spectacular, who draws all the attention to herself, not to how she bets and plays.

But Freud, perhaps because he himself denies ever having had such an experience, treats it as illusory; whilst those who describe ecstatic feelings of unity usually portray them as more intensely real than any other feelings which they can recall.

Cuando lo vi volver, alto y oscilante, las manos hundidas en los bolsillos de su gran abrigo abierto y con las solapas levantadas, entendí que había en él esa intensa sugestión de carácter que tienen siempre los portadores de una historia, como los portadores de un revólver. Pero no estoy haciendo una vana comparación literaria: él tenía una historia y guardaba un revólver.

Biopic is to project the correct picture of a person's character, not to covertly correct for personal gain through film his/her bad image placed rightly in the minds of the people.

When I first started acting, I had all these ideals about the kinds of roles I wanted to play, but the reality is that when you do television - and I do a lot of television - you get cast for qualities that you have as a person. So I look for qualities that I like to portray.

Producer Ram Mukherjee was making 'Hum Hindustani' and he wanted to cast me opposite Sunil Dutt. But it was decided that I would look diminutive before him and the character too was such that she portrays herself to be opposite of what she is.

My goal is to broaden and deepen the range of African-American characters on television, so I always try to show human beings.