Quotes About Network

The NSA routinely receives—or intercepts—routers, servers, and other computer network devices being exported from the United States before they are delivered to the international customers. The agency then implants backdoor surveillance tools, repackages the devices with a factory seal, and sends them on.

In essence, America's land forces should look to develop a "global landpower network." This network consists of allies, expeditionary global and regional partners, and host nation forces.

You can't take something off the Internet — it's like taking pee out of a pool.

The value of your network goes up exponentially when you view your contacts and resources not as a list but as a network of nodes on a graph. Think of the number of connections that can connect two different nodes on that graph. It's exponential compared to the number of items in a list that connect directly to you. The way you create the network effect is by encouraging people in your network to connect to each other and to help each other.

The connection between authors, printers, and booksellers must be kept up.

During the Civil War, the Underground Railroad became a spy network, so we could still have fresh stories for these characters years into the future, with desperate people still doing desperate things.

The Underground Railroad was a spy network for the North and that story has never been told.

I believe photos is one of the underlying things in every social network that becomes successful.

A single neuron in the brain is an incredibly complex machine that even today we don't understand. A single 'neuron' in a neural network is an incredibly simple mathematical function that captures a minuscule fraction of the complexity of a biological neuron.

You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.

Making 'Fargo' for FX has been the highlight of my career. A writer can search his or her whole career for a network partner who truly understands and encourages their vision. For me, the search is over.

I think maybe the most important thing that we have to say is that people don't often talk about network executives being brave. You don't talk about them as having integrity and a higher purpose, because it's a job... except for Bob Greenblatt. He is a theatre person. He loves and understands it.

Because books are written by individuals, it has often made knowledge seem like the product of individuals, even though everybody has always understood that individuals are working within the social network.

We think of the Techstars product as not really the accelerator but the network. That's what entrepreneurs should be valuing here. I think it's the most undervalued thing that many entrepreneurs don't get.

There's a thrill in flying by the seat of your pants - trousers, actually: 'pants' in English means underwear - because most shows don't operate that way. Network shows are repetitive.

A block chain is a series of blocks. Each block is a series of computations done by computers all over the world using serious cryptography in a way that's very hard to undo.

An entrepreneur with strong network makes money even when he is asleep.

Sometimes I think women are lucky because they can develop in ways men can't. The old-boy network may be oppressive to women, but it actually stunts men in terms of personal growth.

My whole reason for creating a network is literally to bring little pieces of light. It's to continue to spread little pieces of light in the world, to illuminate the possibility of the human spirit.

The role of social media is critical because it helps to spread cognitive dissonance by connecting thought leaders and activists to ordinary citizens rapidly expanding the network of people who become willing to take action.

Devices are getting smarter - your television, your car - and that means more data spread around. There needs to be a fabric that connects all these devices. That's what we do.

There's no real network, and every city in Mississippi is so spread out, so it isn't easy to drive around and pass out CDs. So when an artist from Natchez or Gold Coast or Meridian breaks out, they already know exactly what kind of artist they want to be. The grind and the hustle is just so adamant.

In the spring of 1988, my wife, Joan Didion, and I were approached about writing a screenplay based on a book by Alanna Nash called 'Golden Girl,' a biography of the late network correspondent and anchorwoman Jessica Savitch.

We continued the hard work of integrating TWA, because at that time we still thought an efficient connecting hub in St. Louis could be a profitable addition to our network.