Quotes About Ambiguity

I'm talking about science on the leading edge, where it's not clear which way things are going be cause we don't know, and I'm dealing with areas which we don't know about.

There's a sort of eternal, indefinable 20th century quality to 'BTAS.' We never really pegged the decade, but it's anytime in the 20th century, so I often harkened back to things from the '40s or '50s.

I liked Dallas better because it was more deceptive, you could do more with it.

It's not easy to decide what is best for you in the future.

That decision, for me, was almost certainly definitely wrong.

Public decision-making does not lend itself to certitude.

I can't really define myself as a dramatist or as an actor or as someone who is interested in music.

I find it hard to define myself.

Dramatically, I like darkness, I like conflict - but I don't see the world as defined by them.

I don't want to be easily defined.

What I have done in 'Company' can't be defined.

I can't define myself. And I'm really happy about this, that I'm not able to make a definition of, even of my work.

What is a Fuhrungsspieler? I don't like the term. For me there is not a clear definition of the term.

I think there are certain questions that get asked in comics over and over again, and people want definitive answers, but I feel like there shouldn't be definitive answers.

It depends on who you talk to if I'm part of the establishment or part of the antiestablishment.

If I have a goal, then it is to escape from this literalism. I'll never achieve it; in the same way that I'll never manage to describe what really dwells within my character, although I keep on trying.

Why an artist loves what they do is often so hard to describe.

Designer' is meant to mean whatever it means.

I am about as detailed as a shadow.

It's hard to determine where lies culpability.

Whether or not the devil is really good or evil is something that we don't really know.

I don't think we've ever known what the hell's going on when we do Tap shows. It's possible the audience are effectively getting to see more of the movie when we play. You know, they know the songs, so anything we do onstage, whether we're meaning to or not, is an extension of the film. Other than that, I wouldn't understand what's going on.

I often play the quote-unquote bad guy, and I don't know why that is but it's just something that I've always hopefully been able to tap into. Maybe I'm harboring some deep, dark secrets that even I don't know about.

The old player in me can certainly sympathise with how your targets change because you simply do not know what is around the corner.