Quotes About 1950s

Through protest - especially in the 1950s and '60s - we, as a people, touched greatness. Protest, not immigration, was our way into the American Dream. Freedom in this country had always been relative to race, and it was black protest that made freedom an absolute.

In the 1930s, in boxing, to be the heavyweight champion of the world was really, really big, people wanted to see the toughest guys. But what I've figured out now, in the '50s, '60s, boxing started to become more entertainment than sport.

In the 1950s, Hong Kong was a place where millions of people could go, from the mainland, to start in jobs like sewing shirts, making toys. But, to get on a process of increasing income, increasing skills led to very rapid growth there.

Columbia University in 1959 had a kind of reputation that interested me.

In 1950, when the Giants signed me, they gave me $15,000. I bought a 1950 Mercury. I couldn't drive, but I had it in the parking lot there, and everybody that could drive would drive the car. So it was like a community thing.

Whenever I sing blues from the '50s or the kind of blues that you might have heard Eric Clapton or Duane Allman emulate, I often feel the similarity of some of the ragtime stuff I sang early on. A lot of the phrasing and the harmonization is the same.

Disney's House of the Future had the clean simplicity prized in the 1950s as relief from decades of frayed patchwork, jury-rigging, and make-do clutter caused by Depression and war.

For Republicans, that "home" invariably meant a gauzy view of an idealized America somewhere in the 1950s that never existed.

Elvis came along when I was 10. My father gave me a bass ukulele. I taught myself how to play from a book to play some chords, so I was laying down 'Hound Dog' and things like that when I was 10 years old in 1955. That's the way I was. My ear was glued to the radio. I knew right then what I wanted to do.

A guy named Peter Rabe wrote a batch of books for Gold Medal in the '50s, and he was absolutely the single largest influence on writing style. I was completely in love with the way the man wrote.

A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.

There's no dancer alive better than those of the 1950s and 1960s. It's only the energy that changes. Every now and then, someone like me comes along, and people say, 'Oh, this guy is this new thing.' But that's not so. There is no me without them. The tradition just goes on.

By 1951, television had already made such inroads on the income garnered by motion picture companies that the Golden Era which had prevailed until then was beginning to disintegrate. And by 1953, it had come to an end. Hollywood was a dismal, tragic place.

When I was a boy in Salem, Mass., in the 1950s, if you wanted to buy a book, you had to take a train to Boston. And when you got there, to a bookstore, there was no such thing as a science-fiction section.

I was trained in the '50s as a New Critic. I remember what literature was like before the New Critics, when people stood up and talked about Shelley's soul and such things.

In 'Where the Air is Clear', Carlos Fuentes composed a polyphonic portrait of Mexico City amid the growth and modernization brought on by the economic boom of the 1950s. The novel can be read as a jazz interpretation - free and in a Mexican key - of John Dos Passos' 'Manhattan Transfer'.

The hybrid idea that a woman can be fully absorbed with her youngsters while simultaneously maintaining passionate sexual excitement with her husband was a 1950s invention that drove thousands of women to therapists, tranquilizers, or alcohol when they actually tried to live up to it.

Being a single mother in the late 1950s was a very shocking thing - and dreadful thing - for people.

More than anything else, my mother wanted to be an actress - a famous actress - which in the 1950s was all about being young, sexy, and available. She was all that, and more. She had big blue eyes, alabaster skin, a heart-shaped face, a beautiful figure. She was just a knockout.

If a woman had a problem in the 1950's and 1960's, she knew that something must be wrong with her marriage, or with herself. Other women were satisfied with their lives, she thought. What kind of a woman was she if she did not feel this mysterious fulfillment waxing the kitchen floor? She was so ashamed to admit her dissatisfaction that she never know how many other women shared it.

The one lesson a girl could hardly avoid learning, if she went to college between 1945 and 1960, was not to get interested, seriously interested, in anything besides getting married and having children, if she wanted to be normal, happy, adjusted, feminine, have a successful husband, successful children, and a normal, feminine, adjusted, successful sex life.

In the 1950s and 60s, geopolitical intrigues did not much engage masses in Asia and Africa; it was something for elites to sort out.

The hotel industry is a very modern invention - it only really started to become branded in the 1950s.

One of my heroes growing up was Jackie Robinson. My mom, an ardent baseball fan from whom I got my love of the game, had an old baseball card of his from the 1950s and told us his amazing story of courage in integrating baseball.