Quotes About Patina

I used a kind of gray-green early on in my practice for painting steel, to make it look more like it had a kind of patina to it, like copper and bronze and so on. The color I used was a Benjamin Moore color called 2012. My then-young daughter started calling me 2012 - it was my nickname.

The patina of age is a lesson that time is forever and that you, creature of an hour, would do well to know humility in the face of eternity.

I mention these ritual dances, this ritual drama, this bridge between art and life, because it is things like these that I was all my life blindly seeking. A thing has little charm for me unless it has on it the patina of age. Great things in literature, Greek plays for example, I most enjoy when behind their bright splendours I see moving darker and older shapes.

nothing acquires quite as rapid or peculiar a patina of age as an imaginary future.

The desktop held a patina of hieroglyphs representing years of student boredom—names and initials gouged into the wood, blackened by grime and pencil, shellacked over, then cobwebbed again with another generation's imprint.

I am convinced that a good building must be capable of absorbing the traces of human life and taking on a specific richness... I think of the patina of age on materials, of innumerable small scratches on surfaces, of varnish that has grown dull and brittle, and of edges polished by use.

Bath was dusty and a little shabby when we moved here. It did look its age and you felt its history in its streets and buildings and little alleyways. The sense of the past was palpable. There were some bad modern buildings but there was a patina of age.

Briefcases, like CEOs, should never look new and unused.

Words have halos, patinas, overhangs, echoes.

The whole Redlands business gave a patina of gravity to his personality

There is a Japanese word for things made more beautiful by use, that bear the evidence of their own making, or the individuating marks of time's passage: a kind of beauty not immune to time but embedded in it.

The alarming history of European marble "cleaning" includes a chapter on this statuary describing a drive to make ancient Greek art white nearly destroyed the art itself. In the 1930s workers in the British Museum were directed to remove the dark patina with metal tools on the mistaken assumption that their proper color should be white. Such a "cleaning" seriously damaged the Parthenon marbles, prompting an inquiry by the museum's standing committee that halted the work.

Each tile is curved and has an attractive rough texture. The colour varies from bright vermilion to dull Venetian red. They have the patina of almost two centuries of English sunshine and rain and are patterned with mosses in a wide range of emerald, apple and viridian greens. Any one of them, tastefully framed and hung in a London art gallery, would get rave notices from the critics.

Age, like distance lends a double charm.

He was tough as an antique ivory figurine, which has withstood the viscissitudes of centuries and can accept more.