Quotes About Meta

In a way, metafiction breaks down the story and makes it less real. But in another respect, by that very breaking down, it actually makes things feel more real than they would to begin with.

The cyber hygienically apathetic c-suites running critical infrastructure organization are losing this war. This this is a cyber kinetic meta war and its hyper evolving in an already next gen space.

British culture is very cynical sometimes of overt displays of sentimentality, and I think that becomes almost a suspicion of emotion, or a suspicion of someone making a grand statement. It is always easier to be ironic, or 'meta', or coolly postmodern. But I think there is such a thing as authentic sentimentality.

An ideal map would contain the map of the map, the map of the map of the map.,endlessly. This characteristic was first discovered by Royce. We may call it self-reflexiveness.

Whatever you say it is, it isn't," Korzybski, the semanticist, repeated endlessly in his seminars, trying to make clear that third-circuit semantic maps are not the territories they represent; that we can always make maps of our maps, revisions of our revisions, meta-selves of our selves.

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To cover politics in Washington allows you to live in the very, very wide gap between what the actual truth is, and how people are trying to manipulate the truth. They speak in the language of spin, obsequiousness, obfuscation. The meta of politics is just this endless source of material that can shed light on the psychology of the process.

Anything you can do, I can do meta

Meta-fiction doesn't depend on the illusion that you're reading about real people.

Camp which knows itself to be Camp ('camping') is usually less satisfying.

Human language is the new UI layer, bots are like new applications, and digital assistants are meta apps. Intelligence is infused into all of your interactions.

Snorting with disgust, Meta stamped out.

Meta-comedy is everywhere and always seems so cold and to me is really kinda snarky.

I feel a kinship to the idea of beloved stories and beloved pieces of art that we can imagine in different ways and sort of take a meta approach in terms of what those stories offer us.

Nowadays we already have books about books and descriptions of descriptions.

Bits want to move. Bits want to be linked to other bits. Bits want to be reckoned in real time. Bits want to be duplicated, replicated, copied. Bits want to be meta.

I have always been a big meta guy because I think the way journalism is practiced in Washington, and the way everyone sort of cohabitates in the same fishbowl is ultimately a bigger part of the story than people outside of the fishbowl really know.

Everyone wore masks these days, and they seldom slipped. The extreme was the reality-based television shows, where people created meta versions of themselves by trying to act in a way they thought was natural.

The fucking angels of memory were out. They had come out of their museums, out of their castles. They'd gone to war against whatever this incoming to-come was. The very facts of retrospection and fate that had various sides fighting were now out themselves, personified or apotheosed and smacking seven bells out of each other directly No longer solely reasons, justifications, teloi, casus belli for others to invoke or believe in: now combatants. The war had just got meta.

The idea was called Justin.tv. The idea behind it was, basically, to create our own live-video streaming show, like 'Big Brother,' about ourselves, these entrepreneurs trying to make a reality show. It was a little bit meta and we launched this show.

The original 'Scream' is one of those classic things, but it totally pokes fun at itself too. It's never taking itself too seriously, which is why I think it's such a cult classic.

Garry Shandling has always been a pioneer of… meta entertainment. He's always been a defender of the creative right to use the frame as part of the painting.

I grew up in the heat of '70s postmodern fiction and post-Godard films, and there was this idea that what mattered was the theory or meta in art.

At a meta level, design connects the dots between mere survival and humanism.