Quotes About Society

Institutionalised love always looks down on her more liberal sister

Mais, comme il éprouvait une peine infinie à découvrir des idées, il prit la spécialité des déclamations sur la décadence des moeurs sur l'abaissement des caractères, l'affaissement du patriotisme et l'anémie de l'honneur français. (Il avait trouvé le mot anémie dont il était fier.)

She was no longer the fair-haired, colourless girl whom I had seen at the church fifteen years before, but a stout, over-dressed lady, one of those ladies with no age, no character, no elegance, no wit, nor any of the attributes that constitute a woman. She was merely a mother, a fat, commonplace mother, the breeder, the human brood-mare, the procreating machine made of flesh, with no interests but her children and her cookery-book.

And each day a friendly intercourse was established between the working-women of the pavement and the idlers of the boarding school.

C'est pourtant fort bête d'être joyeux, à date fixe, par décret du gouvernement. Le peuple est un troupeau imbécile, tantôt stupidement patient et tantôt férocement révolté. (En parlant de la fête nationale et de ses festivités)

And this is what Lord Byron said, who, nevertheless, loved women: 'They should be well fed and well dressed, but not allowed to mingle with society. They should also be taught religion, but they should ignore poetry and politics, only being allowed to read religious works or cook-books.

It is love that is sacred," she said. "Listen, child, to an old woman who has seen three generations, and who has had a long, long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order.

Capital is no longer the invisible center governing the production process; as it accumulates, it spreads to the ends of the earth in the form of tangible objects. The entire expanse of society is its portrait.

La réalité du temps a été remplacée par la publicité du temps.

He will essentially follow the language of the spectacle, for it is the only one he is familiar with.

As long as necessity is socially dreamed, dreaming will remain a social necessity. The spectacle is the bad dream of a modern society in chains and ultimately expresses nothing more than its wish for sleep. The spectacle is the guardian of that sleep.

Le spectacle est le mauvais rêve de la société moderne enchaînée, qui n'exprime finalement que son désir de dormir. Le spectacle est le gardien de ce sommeil.

A la moitié du chemin de la vraie vie, nous étions environnés d'une sombre mélancolie, qu'ont exprimée tant de mots railleurs et tristes, dans le café de la jeunesse perdue.

The spectacle cannot be understood as an abuse of the world of vision, as a product of the techniques of mass dissemination of images. It is, rather, a Weltanschauung which has become actual, materially translated. It is a world vision which has become objectified. 6. The spectacle grasped in its totality is both the result and the project of the existing mode of production. It is not a supplement to the real world, an additional decoration. It is the heart of the unrealism of the real society.

We must destroy the Spectacle itself, the whole apparatus of the commodity society... We must abolish the pseudo-needs and false desires which the system manufactures daily in order to preserve its power.

Le spectacle est la reconstruction matérielle de l'illusion religieuse.

The spectacle is a permanent opium war designed to force people to equate goods with commodities and to equate satisfaction with a survival that expands according to its own laws.

Partout où il y a représentation indépendante, le spectacle se reconstitue.

Dans le monde réellement renversé, le vrai est un moment faux.

The spectacle in general, as the concrete inversion of life, is the autonomous movement of the non-living.

system, as the advanced economic sector which directly shapes a growing multitude of image-objects, the spectacle is the main production of present-day society.

When ideology has become total through its possession of total power, and has changed from partial truth to totalitarian falsehood, historical thought has been so totally annihilated that history itself, even at the level of the most empirical knowledge, can no longer exist. Totalitarian bureaucratic society lives in a perpetual present in which whatever has previously happened is determined solely by its police.

On ne peut opposer absraitement le spectacle et l'activité sociale effective.

In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles.