Quotes About Stereotypes

There's not a long track record of people leaving professional sports to become a software developer.

Whoever established that standard is deluded. Men are meant to be hard, women soft. It's as simple as that.

One woman in a photo makes it harder for us to ignore that the men are men.

During the feminist revolution, the battle lines were again simple. It was easy to tell the enemy, he was the one with the penis. This is no longer strictly true. Some men are okay now. We're allowed to like them again. We still have to keep them in line, of course, but we no longer have to shoot them on sight.

All men are not slimy warthogs. Some men are silly giraffes, some woebegone puppies, some insecure frogs. But if one is not careful, those slimy warthogs can ruin it for all the others.

In the sex war, thoughtlessness is the weapon of the male, vindictiveness of the female.

The English," said MacWilliam, a trace of Highland accent appearing for once in his speech, "are not by and large an educated people.

And another thing," added Mademoiselle Bénet. "You must not make the mistake of saying to yourself, 'All French people are like that.' There are bad people and good people in my country – as there are in every country under the sun.

If you write a lovely story about India, you're criticized for selling an exotic version of India. And if you write critically about India, you're seen as portraying it in a negative light - it also seems to be a popular way to present India, sort of mangoes and beggars.

I've had friends of mine say, like, they're tired of 'gayface,' and I was like, 'What's gayface?' They were like, 'It's the gay version of blackface: like, come in and be more effeminate.'

I've always played some version of a nerdy guy or something like that. I mean, one of my story lines on 'Silicon Valley' is that I am very bad with women!

I think once 'Empire' hit, there was a lot of bad black TV that followed, because we work in the business of hit-seekers and copycats, so they're like, 'Oh this is a show about black people; this is about music, OK let's do a version of that.' And, of course, it doesn't work because it's not organic.

I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.

I think all of my male characters, I suppose, in all of my films, they're not necessarily the traditional version of masculinity.

I try to be as specific as possible when saying 'Arab Muslims' because there are a lot of different Muslims. I've never really seen stories about us in America, at least where you had versions of our characters that weren't framed by violence.

Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.

Europe has to avoid old prejudices and new ones. That means north versus south, rich versus poor.

As a woman, this is one of these areas where you have to walk a fine line: the classic, 'Are you soft and squishy, and you hug everybody, and you're a cheerleader?' versus, 'Are you the hard-nosed you-know-what female dog?'

People think that, somehow, size makes you uncoordinated or incompetent. There is a lot of size discrimination out there, and I see the difference in the way people treated me when I was 360 pounds versus how they treat me when I'm 290 - from the industry to day-to-day people on the street.

It's interesting in seeing when I'm talking to men in particular and telling them I'm an actress versus a director and the different turn the conversation will take when I say I'm a director. The level of respect is very interesting.

The only thing I wish was happening more was that there were more Indian characters. Like the movies with leads that are Indian and they talk about Indian culture versus Americanized Indians.

You know, I try not to think too much about women guitarists versus men guitarists; the world does that for me.

What does it mean when I wear something that makes me look like a Disney Princess? Versus something that's like 'ooh, maybe Kiki Layne can be a sex symbol.' Because these are things that, sometimes dark skin actors with natural hair, we don't get put into those types of conversations.

I have a very large forehead. I have a pronounced skull. Maybe producers think that there is a lot going on up in there.