Quotes About Challenge

I reject most conventional wisdom.

I look to challenge myself with a character that's not like myself or anything I've done before, but I certainly don't reject roles based on how often I've done them.

I still reject lead roles, as I don't accept any role if I don't find it challenging enough. I am very careful while making selections.

What's life without risks? When I made 'Hum Dil De Chuke Sanam,' everybody said in India you can never have a husband say that I am uniting my wife with her lover. The male audience would reject it, and it is a male audience and hero-oriented industry.

I got rejected from all the good drama schools first time.

Initially, new ideas are rejected. Later they become dogma if you're right. And if you're really lucky, you can publish your rejections as part of your Nobel presentation.

We shouldn't romanticize rejection. There's nothing romantic about rejection. It's horrible.

When you're just an actor, maybe not the top of the list guys, you get constant rejection and it's fun.

There's nothing called a perfect pick-up line. Men always have to face the risk of rejection.

I was a telemarketer for exactly one week in 2005. I could not take 'no' one more time. I could not take the rejection.

I tell young people, including my own kids, don't do this, it's too difficult. It's a career full of rejection, disappointment and failure. It's murderously hard on the ego. Don't become an actor.

Most people are sort of against authority. Here's Beetle always challenging authority. I think people relate to it.

While it is challenging working with a kid, because they're so of the moment all the time. My acting style is to try to take something from my life that the character can relate to and that I can relate the character to.

I don't think you can be successful in television without appealing to women. I don't think it's possible. I think that men like women. It doesn't really matter what they do - they love anything. But women don't necessarily like every woman, so I think that's a challenge to get the female audience to not only relate to you but also like you.

I love to write what I see and what I do and what I experience, and I like to see if people can relate to that. I don't know if I am as good at making up a story in my head that has no truth to it, so that is a challenge for me.

A family going through a divorce, a child under attack by a demon, all these things I could relate to.

When someone gets closely related to a character they play on TV, it's very hard to break that mold and go on to do something else.

Well, I have a 24-hour nurse since I have a bit of problem in walking due to a nerve related issue.

I just want to be fully challenged as an artist, so that anyone who looks like me, who relates to me, says, 'Oh, if Danielle did it, I can.'

One of my best friendships dwindled in the pub business - we still talk, but it challenged that friendship too much - and that taught me to go into football and find people that I can have good relations with but without being overly friendly.

Brands are faced with the daily challenge of massively scaling their outreach in order to build personal relationships. While this may seem like a contradiction in terms, it becomes much more possible when brands shift from push to pull dynamics in their marketing.

There's people who watch shows while they're preparing their dinners, and they don't want to focus, and they don't want to be challenged, and whatever. And then there's people who want to really sit down and get into a character in a world, and feel like they're expanding, or they have complex relationships, or whatever.

Disabilities are a very relative condition, it is something that defines a situation, but if you can't jump over the problem then you can certainly go around it.

It is absolute poverty that you could end, but I think relative poverty is a whole other issue.