Quotes About Challenge

I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.

I had a good first season at Tottenham, but in the second there wasn't a sequence of games. So when I didn't feel happy, I waited for the season to end and then asked the president to let me go to try another challenge.

In boxing, I had a lot of fear. Fear was good. But, for the first time, in the bout with Muhammad Ali, I didn't have any fear. I thought, 'This is easy. This is what I've been waiting for'. No fear at all. No nervousness. And I lost.

I remember when I was about 18, Sean Penn made a bet with me. He had just directed his first movie, and he's like, 'By the time you're 30, I will bet you $500 that you'll be sick of acting.' I'm still waiting to collect, because I'm not.

The world is just waiting to be skated.

I'm proud of my driver test. So many people were waiting for me to test and fail, so they could say that women would never be able to race in F1. I always view my time in F1 as before and after the test. Beforehand, I could sense everybody asking, 'What's she doing in the F1 paddock? Is she good enough?' After my test, that attitude changed.

I did catch a bull shark, and also accidentally caught two very large groupers. The bigger one was not far short of 400 lbs. It just reinforced that fishing is about the unexpected. You sit there waiting for one thing, and then something totally different comes along.

That's a hobby of mine - to do whatever I can for unusual for-hire creative projects. I am waiting for someone to really challenge me - obviously I'm often approached to do film related work, but I would be very happy to design a bar or an amusement park ride. I would love to be an imagineer!

I've figured out what to do so far, but it's always the next thing you come to where the man with the bucket of ice cold water is waiting - whoosh! in your face. That's why you work with directors who know what to tell you to do.

So you have to keep waiting and then they give you the script and it's terrible. Then you have to go to the rewrite and they're very upset because you didn't like it. I went through that for seven years.

Glass really rewards risk. A lot of times with glass, you're just waiting for the piece to cool down or for some temperature to adjust, and there's split seconds where you've got a fraction of a second where you get to make a move a particular way, and you don't get to repeat it if you do it wrong.

For me to play gay, it has to be something special because it might actually be more of a risk. So I'm waiting for that role - I want it to be something that moves things forward.

I needed to pay for my horses in Warwickshire, and I couldn't do that off a waitress' wage.

I was very poor and I was a waitress, and it's hard to be a poor waitress in New York.

I don't know what the problem with Capitol is. Some one's got to wake 'em up. Prod 'em a little bit.

I had to drop a boulder to wake people up about the A.R.T. We've done that, and now we have audiences again who want cutting-edge work, who want to be challenged, but who also won't be falling asleep at the theater.

You always say 'I'll quit when I start to slide', and then one morning you wake up and realize you've done slid.

I might wake up in the morning and go out for a six- to eight-mile run, and then in the afternoon, I might swim two or three kilometres. The next day, I'll mix it up and do a military circuit. I don't stick to a set programme.

I would wake up at night and think, 'What the hell have I gotten myself into? You don't want to do that!' But you gotta do something, and with art, there's freedom - which is actually very seldom practiced by artists.

I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.

I write early in the morning. I just wake up whenever I feel awake and I have to be sitting and writing pretty soon after that. If I take too long to think about the impossibility of what I'm trying to, I'll be defeated by it.

It's always a wake-up call to get beaten.

It's always good to get a wake-up call and a reminder that you can't just go there and collect medals.

I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.