Quotes About Seventeenth-century

The radicals assumed that acting was more important than speaking. Talking and writing books, Winstanley insisted, is 'all nothing and must die; for action is the life of all, and if thou dost not act, thou dost nothing.' It is a thought worth pondering by those who read books about the seventeenth-century radicals, no less than by those who write them. Were you doers or talkers only? Bunyan asked his generation. What canst thou say?

On sober reflection, I find few reasons for publishing my Italian version of the obscure, neo-Gothic French version of a seventeenth-century Latin edition of a work written in Latin by a German monk toward the end of the fourteenth century.

You decide to stop using the word "anachronism" when a seventeenth-century carriage drives through the gates of Buckingham Palace carrying twentieth-century Russian or African diplomats to be welcomed by a queen. "Anachronism" implies something long dead, and nothing is dead here. History, as they say, is alive and well and living in London.

So many able historians have worked over seventeenth-century New England that one would think there was little left to be learned from the people who lived there - fewer than 100,000 at the end of the century. Seldom, apart perhaps from the Greeks and Romans, have so few been studied by so many.

When you think about Puritanism, you must begin by getting rid of the slang term 'Puritanism' as applied to Victorian religious hypocrisy. This does not apply to seventeenth-century Puritanism.

Farrell Kafji, who complained loudly that he had landed in the middle of a seventeenth-century field. 'And fields then are exactly like fields right now!' he shouted. 'I could've gone down to Forsyth Park if I wanted to see a field!

Rembrandt was an innovator not only in painting but also in commerce. He helped establish a full-fledged art market in seventeenth-century Amsterdam. "Rembrandt's obsession with the intricacies of the market system permeated his life and his work

The agreement was known as a tontine, an antique investment instrument, with origins in seventeenth-century Europe, in which a number of participants band together in what is effectively a mortality lottery, pooling their funds with an understanding that the last investor to die will win everything.