Quotes About Designer

I came from Bill Blass, where it was a well-oiled machine and if I said I needed a fabric, it was done. Now, I have to budget everything. I have to take on the role not just as a designer but a business. But I'm a glass half-full kind of guy.

I'm a Prada freak and I think they have great eyewear. Even though I don't need glasses, I use them as a fashion accessory.

Antonio Berardi is one of my good friends.

In traditional 3D printing, the gantry size poses an obvious limitation for the designer who wishes to print in larger scales and achieve structural and material complexity.

For a 'GOT' premiere, I wore a white dress by Antonio Berardi, which fitted beautifully. And I felt empowered by the Jenny Packham gown I wore for 'The Last Witch Hunter' premiere. That is the beauty of the designer - to help a woman or man feel that way.

Thom Browne is like a wizard when it comes to clothes. Even though his suits are so shrunken, they feel like pajamas.

Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer. So my being able to reach the masses was something that meant a great deal to me - especially for women who could never wear Vera Wang.

I think a good designer can exist everywhere and anywhere and all the time. It's all about being good, and I think that our job basically is to make women and men look good.

Each individual garment has its own customizations based on a collaboration between us and the designer. We say what we think our woman wants, and they say, 'This is what we think we can do with our production.'

Often when I meet people and say I'm a designer, they say, 'Oh, a fashion designer.' Which is not a bad thing I suppose, a bit groovy.

Any car designer always dreams about designing their own car - if they say they don't, they're lying... For me, it was never about starting my own company just to make another car.

I think of myself as more of a maker than a thinker.

If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.

There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.

It's as if some bored theatrical costume designer got drunk behind the scenes and raided the storage boxes:

I'm more of a fashion designer than I am a rapper.

It's really rare that you find a designer who's willing to dress people who maybe present more masculine in their womenswear.

Right now I'm reading every fashion magazine I can find. As a shoe designer, I feel it's my responsibility to learn as much as I can about the business, past and present.

I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.

The designer of my Emmy gown is donating my gown to the charity for an auction.

My Miu Miu gown at the Golden Globes was the first time I had anything custom-made for me.

It even sounds stupid to hear myself say the first costume designer I worked with was Catherine Martin, and she won an Oscar for it, but that was just my very lucky draw of roll of the dice.

When I first started, I wore Ceil Chapman gowns. I've been wondering for years what happened to the Ceil Chapman line of clothing.

I am often asked what I would be doing if I hadn't become a writer. I have long said I would probably be a chef or a garden designer or a decorator, but since recording my own books, there is no doubt in my mind that if the writing doesn't work out, voice work is what I would choose.