Quotes About Greek

Miriam remembered that the holiday dated to the rebellion of the ancient Jews against forced assimilation by Greek society.

This idea the Greeks had of him is best summed up not by a poet, but by a philosopher, Plato: "Love—Eros—makes his home in men's hearts, but not in every heart, for where there is hardness he departs. His greatest glory is that he cannot do wrong nor allow it; force never comes near him. For all men serve him of their own free will. And he whom Love touches not walks in darkness.

To the Greeks, the word character first referred to the stamp upon a coin. By extension, man was the coin, and the character trait was the stamp imprinted upon him. To them, that trait, for example bravery, was a share of something all mankind had, rather than means of distinguishing one from the whole.

The end, the tale of what happened to the Trojan women when Troy fell, comes from a play by Sophocles' fellow playwright, Euripides. It is a curious contrast to the martial spirit of the Aeneid. To Virgil as to all Roman poets, war was the noblest and most glorious of human activities. Four hundred years before Virgil a Greek poet looked at it differently. What was the end of that far-famed war? Euripides seems to ask. Just this, a ruined town, a dead baby, a few wretched women.

Underneath the shifting sands of the struggle between two little Greek states [Thucydides] had caught sight of a universal truth. Throughout his book, through the endless petty engagements on sea and land which he relates with such scrupulous care, he is pointing out what war is, why it comes to pass, what it does, and, unless men learn better ways, must continue to do. His History of the Peloponnesian War is really a treatise on war, its causes and its effects.

The other notable Titans were OCEAN, the river that was supposed to encircle the earth; his wife TETHYS; HYPERION, the father of the sun, the moon, and the dawn; MNEMOSYNE, which means Memory; THEMIS, usually translated by Justice; and IAPETUS, important because of his sons, ATLAS, who bore the world on his shoulders

PHOEBUS APOLLO The son of Zeus and Leto (Latona), born in the little island of Delos. He has been called "the most Greek of all the gods." He is a beautiful figure in Greek poetry, the master musician who delights Olympus as he plays on his golden lyre;

Saint Paul said the invisible must be understood by the visible. That was not a Hebrew idea, it was Greek.

The same was true of two personified emotions esteemed highest of all feelings in Homer and Hesiod: NEMESIS, usually translated as Righteous Anger, and AIDOS, a difficult word to translate, but in common use among the Greeks. It means reverence and the shame that holds men back from wrongdoing, but it also means the feeling a prosperous man should have in the presence of the unfortunate—not compassion, but a sense that the difference between him and those poor wretches is not deserved.

It may be that Japanese culture is not ego-based like Western culture: argument has often a strong ego base. The most likely explanation is that Japanese culture was not influenced by those Greek thinking idioms which were refined and developed by medieval monks as a means of proving heretics to be wrong. (p36)

A modern Greek, who could write the life of a saint without adding fables and miracles, is entitled to some commendation.

Los antiguos griegos lo llamaban la tragedia del hibris. El rey que peca de exceso de orgullo recibe el castigo de los dioses.

Now you fear punishment and beg for your lives, so I will let you free, if not for any other reason so that you can see the difference between a Greek king and a barbarian tyrant, so do not expect to suffer any harm from me. A king does not kill messengers.

While passing through an obscure nook of Notre Dame cathedral, Victor Hugo noticed the Greek work for fate carved in the stone. He imagined a tormented soul driven to engrave this word. From this seed sprang his monumental novel "The Hunchback of Notre Dame.

The adoration of human nature by the Greeks appeared in Greek plastic art and was the cause of its excellence.

I wanted to learn Latin and Greek and become a poet and acquire power over language. I only understand this clearly in retrospect, that my ability to study came from a hunger to learn all the resources of articulation.

What I wish I had, is that I wish I was a little more Greek, in that I wish I could lose my North American driven attitude and that I could be a little bit more poetic and laissez faire.

One of the rules of Greek lament poetry is that it mustn't mention the dead by name in case of invoking a ghost. Maybe the 'Iliad,' crowded with names, is more than a poem. Maybe it's a dangerous piece of the brightness of both this world and the next.

The higher Greek poetry did not make up fictitious plots; its business was to express the heroic saga, the myths.

Poets that lasting marble seek Must come in Latin or in Greek.

I like both Greek and Egyptian. More Greek stories have survived, so we know more about them. They've always been my favorite. On the other hand, I like the Egyptian stories because they're not as commonly known and they have an exotic flavour.

The tendencies that found expression among the Greeks had to be pushed to the extreme, the undue importance given to rational thought had to grow even greater, before men could arrive at 'rationalism', a specifically modern attitude that consists in not merely ignoring, but expressly denying, everything of a supra-rational order.

la dialectique contient souvent chez lui [Platon] une certaine part de « jeu », ce qui est très conforme à la mentalité grecque, mais, quand il l'abandonne pour le mythe, on peut être sûr que le jeu a cessé et qu'il s'agit de choses ayant en quelque façon un caractère « sacré ».

De todos modos el destino había empezado a armar su trama, a tejer su intriga, a anudar en un punto los hilos sueltos de aquello que los antiguos griegos han llamado el muthos.