Quotes About Authenticity

It's quite nice to see that I didn't have to change who I was to reach two very different types of people.

There are lots of people who are red-carpet types, but that's not me.

To me, there are two types of celebrity: there's good celebrity - people that are attracted to the food and working and trying to create something great - and then there's bad celebrity - those who are working on being a celebrity.

Really, I'm the type of girl, and I know other girls who are the types of girls who it's not about the chain, it's not about the car, not about the house or this, that, and the other that you think are impressing me. It's really the intellect. It's really stimulating my mind.

A lot of producers and creative types want to see you be you. Throw something else out there and show them where you would take this part. A lot of them are launching shows for the first time, so they've got a lot riding on this, too, and they want you to be their flight.

I'm totally open to exploring different types of music. I just have to always remember to be true to who I am.

I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.

Fans tend to think that if you fall in love with an artist... and then he gets bigger, and he grows, and he starts to make a different sound, 'He's changing on us.' But with me, I created all types of sounds from the get go, so you can never say I'm changing; you can never say I'm going mainstream or I'm selling out.

How do you make sure that you stand your ground and you find your place in the world, even if that place is not the place everyone else tells you it's supposed to be? For me, TV is character-driven and those are the types of characters I want to watch.

At the typewriter you find out who you are.

I don't want anything to do with anything mechanical between me and the paper, including a typewriter, and I don't even want a fountain pen between me and the paper.

Every bad joke, every endorsement deal, all of the things that a typical host would normally get creamed for, people don't mind, because they know I don't cheat when it comes to the work I actually try. I'm a lab rat. I'm a perpetual apprentice. The joke is on me if there is one.

On stage, I'm this figure, this actor, who does things that people aren't used to seeing and I relish in that reaction. In real life, though, I play golf, I shop and I walk around with no makeup on and my hair in a ponytail. I may not be the typical middle-aged Joe, but I'm closer to normal than you think.

It would have been easy for me to bring out a real cheesy pop song, but 'Please Don't Let Me Go' isn't your typical 'X Factor' single, and it's a grower, not a shower.

Maybe I'm not a typical pop star, but I don't think there's a mould for a pop star or singer. You can do whatever you want.

Actually Pu La was my father's friend and their friendship was very typical , as friends should be, fame did not come in between.

I'm probably not your typical business person in many ways. I don't wear a suit. I don't carry a briefcase. I don't wear a tie. I'm fairly casual. I haven't got a big office, and it's in a very ordinary part of town. I'd much prefer to downplay than impress.

I have to be able to rap. I don't have the look. I don't have the typical slim-dude, fancy-clothes look. That's not me. I have to be able to rap - there is no other choice, or else I get eaten alive.

I have played characters where I haven't been absorbed - you know, what I call a typical film leading man role where you just have to look gorgeous and be attractive and charming. It bores me. I like a bit of dirt, a bit of sand in the oyster.

I don't like to talk about typical things in my music - my music is more about real life situations.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.

If I'm going to do blues, it's going to be a typical Jimmy Rushing record.

A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.

My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.