Quotes About Authenticity

I'm extremely straightforward. And I can't do that sort of traditional girl thing of saying one thing that actually means something else. I never understood it, and I still don't understand it.

If you have any fault to find with anyone, tell him, not others, of what you complain; there is no more dangerous experiment than that of undertaking to be one thing before a man's face and another behind his back.

People around me tell me that I need a bigger persona and to act a little more A-listy because 'that's where you are but you don't act that way, so people undervalue you.' But that's not me.

For a guy like Kevin Love who has everything - he has Banana Republic, he's an underwear model, sports body model, this guy's all-everything - for him to say, 'Hey, I go through like all these things like everyone else,' I think it allows for people to relate to him more. I think it's good.

I've always been big. I'm never going to be an underwear model. But I am who I am, and that has its advantages and disadvantages.

An Oklahoma girl like me wouldn't even know how to be a diva. I'm just a person who has a cool job. I love to be at home. I rarely go to clubs... and I always wear underwear! I just know I'd fall down, and that's not for everyone to see.

I'm not the sort of person who poses in their underwear.

At the time I was writing the second album, I was sitting home in my underwear all day every day; I didn't have all that much to write about except for my own life and my family.

People feel I only make films on underworld, but that's not true.

It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.

There were many factors as to why I decided to come out as being undocumented. One of them is because I look the way that I look; I don't look like the 'stereotypical undocumented' person.

On the surface, I've created a good life. I've lived the American dream. But I am still an undocumented immigrant.

For me, in my normal life, I'm very all-or-nothing. I'm super comfortable dressed to the nines - full hair and makeup. I love feeling really done up. And I love feeling undone. I love sweatpants and my hair in a topknot. I go with no makeup. Or I have a full look.

I like people more undone than made up. Patricia Arquette is the ultimate. She's not anorexic or perfectly tan, she's not trying to be anything but what she is, and that's the most sexy thing.

We don't sit down and go, 'People are uneasy about the economy. Let's write about that.'

All the epic allusions contribute to the difficulty Clinton has long had in coming across as, simply, a human being. She is uneasy with the press and ungainly on the stump. Catching a glimpse of the 'real' her often entails spying something out of the corner of your eye, in a moment when she's not trying to be, or to sell, 'Hillary Clinton.'

The playing ground is so uneven, and there have been so many straight characters for such a long time, and so many gay actors that have had to hide their sexuality to get the parts they want to play.

The only real things in life is the unexpected things. Everything else is just an illusion.

I've found beauty in such unexpected places. I think the most beautiful thing you can do is be yourself and to own it.

Isn't it ironic that pay, perks, and benefits all cost your company at the bottom line, but authentic recognition, especially when it's most unexpected, costs very little and gives the most impressive return on investment?

I cannot just write a frivolous book, a la-di-da book. Everything isn't la-di-da. There is something that's going to pull you up short. I want to reassure young readers. I want to comfort them, to not fear the unexpected.

The challenge in any kind of storytelling, as far as I know, it is, you're looking for the moment that is completely unexpected, but at the same time, you think to yourself, 'Of course, that's the only way it could have gone.' It has to feel like it's the truth of it.

People tend to judge a book by its cover. I love being unexpected and gaining respect for who I am and not how I look.

Good, well-defined, well-honed art is not a foreign language. You can sell it to people. You just have to move your ego out of the way, clear out the unfinished fantasies you have about being an artist yourself, and just sell it.