Quotes About Authenticity

Honestly, I personally would prefer to have my name not mentioned alongside codifiers, like 'white rapper' or things like that, because the codifiers I like are Texas rappers. If you were to compare me to Lil' Keke or the people that really inspired me, like UGK... In my mind, that's who I think I should be compared to.

I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.

Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.

We are, all of us, incoherent text, and just knowing that - knowing that no matter how much you say, 'I am this' and part of you is not that - means that you can say it.

Just because #ad or #spon is there doesn't mean I'm only doing it for money. I make sure, in the text, that it's very obvious that I'm having fun.

I don't think I am that person who can just text people for the heck of work. I should be invested in that person otherwise I won't.

I find a lot of things kind of funny and I often say what's on my mind, and then get nine texts from all my friends going, 'What's the matter with you?' But I haven't ever made a big attempt to have any particular image. And I don't really worry about it. If it's funny, I don't care.

Continuous present is all we have, and stream of consciousness - which in a novel is arguably just as artificial as the stilted dialogue that you get in most conventional novels. They're all stratagems to try to get closer to the texture of lived life.

Why aren't there films being made that tell ethnically diverse stories? Or why is it so impossible to allow a person of color to add their texture and their essence to a role that is not ethnically specific? I don't know why it's a novel or risky idea to consider making a film look like how our world actually looks today.

I felt like it was the space that I could be the most authentic of anywhere because of how I grew up. Even though some of the songs and some of the texture wasn't what I like, I felt like country music was more authentic, in general, than anywhere else.

It is better to be an outspoken atheist than a hypocrite.

It's better to be a fake somebody than a real nobody.

Nothing shines out more than a bride in her most natural state.

The finest clothing made is a person's own skin, but, of course, society demands something more than this.

The thing is, people only care about their selfie. I am a fan of artists, and if I have 30 seconds with an artist, I am not going to take a photo just to prove on social media that I was with the artist. I am going to enjoy every single second of those 30 seconds, ask questions, talk, actually make something of the moment, thank them.

I was never an ingenue, thank God; always character.

Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.

I didn't build a career off my looks, thank God.

If my energy was fake, then I would feel pressured, because I gotta, like, keep this up. I thank God it's just how I am. But I find myself wanting to work on being more comfortable in the silence with people.

Well, thank God I have this face, and it's a believable face, and that also seems to be my acting style.

Everything I've ever taught in terms of self-help boils down to this - I cannot believe people keep paying me to say this - if something feels really good for you, you might want to do it. And if it feels really horrible, you might want to consider not doing it. Thank you, give me my $150.

We're living in what I like to call the 'Thank You Economy,' because only the companies that can figure out how to mind their manners in a very old-fashioned way - and do it authentically - are going to have a prayer of competing.

I don't want to be the flavor, the passing thing that the girls scream at. I think that it's more important for me, honestly, that the guy who gets dragged to the show, you know, looks at his wife and says, thank you, that was great and tells his buddies.

Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.'