Quotes About Experimentation

I've been known to make out with girls from time to time. Couple drinks involved, you know. It's fun. And who knows? Maybe it'll go further someday. I don't know.

I've tended to look at my albums as research and development. I was just trying to get someplace new on each one.

As much fun as we had doing Ozzfest, I think it's good to try something else.

Instead of fumbling with hot beakers andBunsen burners, I concentrated on the leisurely pursuit of fondling.

I'm much better at working out ideas in action than I am in theorizing about it and then transferring my thinking to action. I don't work that way. I work with tentative ideas and I experiment and then with that experimentation in action, I finally come to the conclusions about what I think is the right way to do it.

Burbank might produce thousands of hybrid offspring from which he might pick just a few to propagate into a new generation.

After a few years of breeding a type of lily, Burbank found a single specimen that met his standards. A rabbit ate it.

I took an axe To a willow to see how it wept. I took an axe to a salmon To see how it leapt. I took an axe to the wolf As he slept.

I've always worked a bit like a cook in a big restaurant, where you've got lots and lots of things laid out and you go and look into one cauldron and you look into the other and you see what's coming to the boil.

In a city, it's very hard to do a restaurant, an avant-garde-cuisine restaurant, where each year you need to change the whole menu.

I'm not saying that putting on makeup will change the world or even your life, but it can be a first step in learning things about yourself you may never have discovered otherwise. At worst, you could make a big mess and have a good laugh.

I'm fascinated with the electronic devices that we can mess around with.

I think that's what I love about jazz is that you can do what you want, and you're allowed to mess up.

The best working experiences I've had are with directors who want to create with you while you're on set. I prefer a much freer environment. That's why I'm always trying to mess things up, just to know that I can!

Really, I just sit down, mess around, and play with sounds.

When I started in 'Drag Race,' I didn't know anything about drag - my makeup was a mess, my hair was a mess, but I love what I was doing.

And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.

A sense of play is important when I'm writing, and so messing around with, say, a magic routine can feel like play, at least initially.

We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'

Our home, just like our garden, evolves. We experiment, try out different things and new colors until we feel content. Try to keep the metaphor of home as garden in your consciousness.

We didn't set out to be educators or even scientists, and we don't purport that what we do is real science but we're demonstrating a methodology by which one can engage and satisfy your curiosity.

I'm inspired by Jackson Pollock; splashing layer upon layer, using different materials, experimenting with new methods to produce something fresh. I'd love to be able to create in this way!

I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

I like to try out different methods to get to good songs.