Quotes About Experimentation

Kids do gross things. For several months, mine would combine everything on her plate into a single bowl, pour her drink on top of it, then mash it up and eat it with her hands. It didn't matter what it was.

I tried to be a goth for a while. I'd pour baby powder on my face and paint my lips black, but that didn't last long. I thought I looked cool at the time. But then you look back and wonder, 'Why did anyone let me out of the house looking like that?'

I really like to cook.

It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.

You try things creatively all the time, and while you want every one of them to be great, and you set out to do that, that's not always going to end up being the case.

I'm crossing the EDM barrier.

I played 'Rewind' so many times in the club to see which parts were working, see how the crowd reacted to it.

Running out of material for 'MythBusters' is like saying, 'We've done everything we could possibly do and we're not curious or interested in anything.' Let's hope that never happens.

I have come up with very creative ideas that really didn't work with the song I was currently composing.

I like to dabble in a lot of things.

I kind of lost interest in the classical dance. I was very much interested in the modern choreography.

The construction of extensive railways, however, and particularly the consolidation of small, experimental lines into large systems, dates from the days of the discovery of gold in California.

If there's one thing government needs desperately, it's the ability to quickly try something, pivot when necessary, and build complex systems by starting with simple systems that work and evolving from there, not the other way around.

That's the thing with electronic music, you set up systems to bring in an accident, to bring in quirks you didn't choose, but you still will have had to set up systems.

Phones are a big deal, but tablets are an even bigger deal. So we're doing a lot of design work and experimentation around the tablet experience.

There are so many ideas that I have in my mind, of projects that I would love to tackle, people I would love to work with, genres I would love to experiment with, and sounds that don't fit any of my previous projects that I need to find a home for.

Networks are reluctant to take a chance. They put on shows that they know will work on some level, but to get the innovative show, it's very difficult.

I consider myself someone who takes a lot of beauty risks, and I've realized what I liar I am. I change my hair a lot, from blue to blonde to bald, but I'm trying to branch out a little more with makeup.

What I have learned about Metallica is that it's all about taking chances and challenges.

If designers are willing to take risks, I think buyers should take risks, as well with press taking risks.

The culture of Booking.com has been very good for me because it's a culture where you're allowed to fail. When you think about taking risks, if it's OK to fail, you actually do a lot more. And you learn a lot quicker.

What I really like doing is taking risks, musically.

When I start a new novel, I often write 'test chapters' in different tenses and from different points of view in order to figure out which is best to tell the tale.

I don't consider myself supremely talented, but I really like to try things and sift through it and see what mess I made.