Quotes About Experimentation

When I do a remix, I try to think about what I don't have in my bag and create something to fill that gap.

I've had to keep exploring different ways of presenting the music so I don't repeat myself.

I have, like, two and a half years of failed jokes that I know I wouldn't repeat, but I certainly have no comprehension of what definitely works. And the only gauge that I can go by is, 'This makes me laugh,' and is joyful... I like to, if possible, do things that people can enjoy and it doesn't take anybody down.

I try consciously to keep myself entertained and challenged to not repeat myself at all. Like, when I start a new book, my goal is to pretty much throw out what I've done and try something completely different that I think initially I cannot do.

I'm really anxious not to repeat what I've done before, to keep pushing and learning.

The music I should be doing is music that you haven't heard before - whether you like it or not. I don't want to just repeat.

Science is the practice of failing repeatedly but learning as you go.

Much can often be learned by the repetition under different conditions, even if the desired result is not obtained.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

When I make a recipe for the first time and it's fabulous, I know I'm in trouble because I don't know exactly what I did, and I can't replicate it.

My kind of composing is more like the work of a gardener. The gardener takes his seeds and scatters them, knowing what he is planting but not quite what will grow where and when - and he won't necessarily be able to reproduce it again afterwards either.

I did an English album called 'Ice' earlier but it was too ahead of its time.

Nothing surpasses the beauty and elegance of a bad idea.

I feel if the Punjabi cinema is experimenting, I should also at least try and do roles which create a new identity with every film.

I am a person who is usually chilled and I wanted to try out different roles to know if I could do it.

I've had every hair style imaginable.

In a sense, if you're not getting it wrong really a lot when you're creating imaginary futures, then you're just not doing it enough. You're not creating enough imaginary futures.

I have to try different things to see what works best. Other people get impatient with that.

Iteration, not ideation, is the most important part of early stage entrepreneurship. You have to have a lot of ideas - a lot of bad ideas - if you want to end up with a good one.

You have to be able to fail with the improv. You have to not care.

When you make a film, you never know how it will turn out, especially when you improvise it.

In the end, our way of writing music is a long process of experimentation. We enjoy the luxury of taking this very seriously and giving it the time that it needs.

I've lost so many gigs composing commercial or television music because I can't repress my inclination to work against conventions.

The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.