Quotes About Atmosphere

Blame, now. There is a nasty black bog if ever there was one.

She walked along beneath a sky of bird's-egg blue

This was my first time in Govan. You could smell and taste the thick smog in the air. The Blue Triangle was a new high-tech building, and it didn't look right standing there in front of older and more historical buildings. The Blue Triangle may have looked great from the outside, but once inside, to my horror, it was full of young teenage boys and girls full of deep and dark depression

When you use positive words it naturally has a very dynamic effect on the energy present around you.

The windows were covered to block out daylight (to create a darker feel and prevent any changes

often you want keep the light on the actors and darken the upper part of the wall above them).

He is one of those who bring their own dark clouds wherever they go. He keeps them on a string. They are always there, even on the brightest of days. It takes only a chance remark and he tugs their strings, drags them down, and blots out the sun.

And over it all, the butterflies swarmed, like a million yellow-pettalled flowers dancing on swirling winds.

Now, invite me in, before I lose my temperature.' 'Temper, you mean.' 'No, temperature. It's getting chilly.

In Scotland, beautiful as it is, it was always raining. Even when it wasn't raining, it was about to rain, or had just rained. It's a very angry sky.

The sky always seems to be out there, away from us. I like to bring it down in close contact with us, so you feel you are in it. We feel we are at the bottom of this ocean of air; we are actually on a planet.

The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'

Yokohama does not improve on further acquaintance. It has a dead-alive look. It has irregularity without picturesqueness, and the grey sky, grey sea, grey houses, and grey roofs, look harmoniously dull.

There's something about the air and the sky and the atmosphere in the South of France that must be very conducive to work, to being creative, because I have written several of my books there. I find it so much easier because you're cut off. If you don't want to speak to anybody, basically they don't know where you are. And it's so beautiful.

You cannot exploit the advantages of getting above the atmosphere unless you are able to get up there reasonably large-sized telescopes and unless you are able to keep these telescopes pointing at one region of the sky for long periods of time to a high degree of accuracy.

Go to The Spaniards Inn on Hampstead Heath. It's an old-fashioned pub, and from there, you can look out over the London skyline.

I miss a lot about England when I'm working away, even the slate grey skies.

I ended up moving to Miami and bartending, but the party atmosphere is a black hole down there. People party all the time, and if you're working in the industry, you're sleeping all day and at the club all night, day after day.

Music is great; it all depends on what mood you're in, what you want to listen to. If it's party time, you listen to, you know, party music, if you want to dance with somebody. But then again, if it's a slow dance, you need something slow.

Me and my family all like Shanghai, and I'm slowly getting used to the city and the atmosphere.

Nashville has a great creative atmosphere. It's a small, close-knit music community that you can't find anywhere else.

In a small room one does not say what one would in a large room.

When I want to DJ what I think to be the best-sounding place in the world, I go to this place in Sapporo, Japan, called Precious Hall, which has kind of a custom sound system with a much lower ceiling and a smaller room.

The cool thing about the smaller gigs - it's the intimacy. You really feel connected to the crowd.