Quotes About Acoustical

There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.

In the Middle Ages, as in antiquity, they read usually, not as today, principally with the eyes, but with the lips, pronouncing what they saw, and with the ears, listening to the words pronounced. hearing what is called the "voices of the pages." It is a real acoustical reading.

failure no matter how imposing the finished structure proved to be. Only Adler had previously demonstrated a clear grasp of the principles of acoustical design. "Burnham was not pleased," wrote Louis Sullivan, by now Adler's

In many acoustical applications, sound is considered as falling in eight octave bands, with center frequencies of 63; 125; 250; 500; 1,000; 2,000; 4,000; and 8,000 Hz. In some cases, sound is considered in terms of 1/3-octave bands, with center frequencies falling at 31.5; 50; 63; 80; 100; 125; 160; 200; 250; 315; 400; 500; 630; 800; 1,000; 1,250; 1,600; 2,000; 2,500; 3,150; 4,000; 5,000; 6,300; 8,000; and 10,000 Hz.

Abroad, she discovered that the transformation of music into noise was a planetary process by which mankind was entering the historical phase of total ugliness. The total ugliness to come had made itself felt first as omnipresent acoustical ugliness: cars, motorcycles, electric guitars, drills, loudspeakers, sirens. The omnipresence of visual ugliness would soon follow.

The Transformation of music into noise was a planetary process by which mankind was entering the historical phase of total ugliness. The total ugliness to come had made itself felt first as omnipresent acoustical ugliness: cars, motorcycles, electric guitars, drills, loudspeakers, sirens. The omnipresence of visual ugliness would soon follow.

The damn bells kept ringing through the fog. Bud mumbled a command to his music system, a phased acoustical array splayed across both eardrums like the seeds on a strawberry. The volume went up but couldn't scour away the deep tones of the carillon, which

But a man's character is his fate... and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.