Quotes About Unexpected

I like feminine suits with unexpected details.

Some of the best moments I've ever written have come about because someone, somewhere, blew my preconceptions out of the water and dropped a detail in passing that took the work in an entirely new, entirely unexpected, direction.

I like when life is sort of spontaneous. I like the unexpected. I'm comfortable in that!

If you take control over those things you can, you are better able to negotiate the unexpected.

I'm so proud of 'Underground' because it's this thriller; it's this action- adventure. It's unexpected. People think it's gonna one be one thing - they think it's gonna be very depressing and downtrodden - and it's empowering.

The commercial I did for Kia was hilarious and unexpected, so that, I think, is also another way of signaling to the audience that there's more to me than Morpheus.

Most travel disasters turn into something else: a story of survival, a story of bravery, of heroism, sometimes villainy. You just don't know when it starts where it's going to go because they are unexpected events.

I would love to play just an all out bad guy who has fun being malicious. It would be totally unexpected, and that's what would make it exciting. Plus, bad guys don't see themselves as bad guys, so you could have fun with that.

I used to think that the British press were particularly awful to Cherie Blair. I think Blair's foreign policy was a complete disaster, but the British press, when they wanted to explain why Blair took unexpected moves, they did create Cherie as the power behind the throne.

No matter the circumstances are that you lose someone, nobody's truly prepared. Steve's accident was so unexpected - it was extremely challenging.

We always love actors taking unexpected turns.

If you're making a smaller movie, you're almost obligated to do something unexpected and surprising.

The Wellcome Trust will retain a level of financial flexibility which will enable us to react quickly to unexpected developments and new ideas.

In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.

If you don't have a sense of adventure in this job, then you're not going to do very well. You have to be prepared for the unexpected, and that's one of the reasons why you really, really, really have to trust the people you're going to work with because you don't know what's on the other end.

I think, like any artist or any writer, I just want to have that pure freedom of expression and of thought - the freedom to explore and move in unexpected ways.

At its core, the United States is grateful, warm-hearted, full of unexpected twists and turns - not a cold and bullying prison - it's a place of infinite jest.

You really want to keep ringing the changes - you hope that your work and your choices make people excited about where you're going next and that that might be somewhere unexpected.

I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.

The challenge in any kind of storytelling, as far as I know, it is, you're looking for the moment that is completely unexpected, but at the same time, you think to yourself, 'Of course, that's the only way it could have gone.' It has to feel like it's the truth of it.

I like beautiful writing, pain, unexpected humor, and the message that, at the last second, people are going to be kind to each other. It almost doesn't matter what the genre is.

There's a tremendous amount of humor... in very unexpected places.

If I really can be said to have a personal style, I think it is reflected in my taste for the exotic and the unexpected. I like to create rooms which are essentially traditional - and then add touches of the bizarre and the delicious.

My feeling is there's a lot of straight drama on television. My goal in life is to try to create something unexpected, and genre is the tool in doing that.