Quotes About Memoir

I ignored my stand-up career for twenty-five years, but now, having finished this memoir, I view this time with surprising warmth. One can have, it turns out, an affection for the war years.

I have always distrusted memoir. I tend to write my memoirs through my fiction. It's easier to get to the truth by not claiming that you are speaking it. Some things can be said in fiction that can never be said in memoir.

I have written a memoir here and there, and that takes its own form of selfishness and courage. However, generally speaking, I have no interest in writing about my own life or intruding in the privacy of those around me.

All my journalism, all my books are first person, and it's all memoir. Even when I'm writing about the oil spill in the Gulf, it's all first person there.

I wrote a novel. It's called 'The Middlesteins.' It's fiction. It's not a memoir. I'm not a spokesperson.

Hillary Clinton has finished writing her book where she says her marriage couldn't be stronger, and Bill just finished his book titled 'Chicks I Nailed While Hillary was Writing Her Book.'

Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.

Writing your memoir is inherently narcissistic.

A few months ago, I was sitting morosely at my desk, wondering why I had ever agreed to review Barbara Bush: A Memoir for an English newspaper. The experience was proving to be a degradation of the act of reading. Imagine, if you will, being strapped into a chair and made to listen to Liberace playing the piano for hour upon hour. Or imagine being fed chocolate dinner mints, like a hapless goose, until you are on the verge of explosion. Such was my lot.

Oscar Wilde said: 'Biography lends to death a new terror.' Well, memoir adds that same promise to parenting.

I am writing My Life so that I may laugh at myself, and I am succeeding.

Harry Bernstein was a total failure when he wrote his bestselling memoir, The Invisible Wall. His prior forty (forty!) novels had been rejected by publishers. When his memoir came out, he was ninety-three years old. A quote from him: "If I had not lived until I was 90, I would not have been able to write this book, God knows what other potentials lurk in other people, if we could only keep them alive well into their 90s.

I don't know where the idea originated that memoir writing is cathartic. For me, it's always felt like playing my own neurosurgeon, sans anesthesia. As a memoirist, you have to crack your head open and examine every uncomfortable thing in there.

My life has been pretty unconventional. The publishers saw a story in it, and yes, my life has been put in a book.

The real mistake of women was to let the memoir, the collective, the history, space of producing history - to let it in the hands of men.

Autobiography should be more stringent. It should adhere more to the standards of journalism - assuming that journalism has the truth. The memoir gives you more scope, is more poetic, and allows you to play around with your own life.

We write to remember our nows later.

I've yet to read a memoir by anyone I've known at all well that came anywhere near to the truth.

When you start a memoir, you think, 'I'm going to blast all the people who were mean to me.' And then you start writing, and you go, actually, it's so much more fun to say nice things about people who were kind and generous to you.

My friend asked me if it had been cathartic, to write my memoir. I looked down at the sculptures—it was cathartic for me to look at them, but I could imagine it might have been hell to make them (I was cheered / when I came first to know / that there were flowers also / in hell). No, I answered—how was it for you to read it? Aristotle, in his Poetics, never promised catharsis for the makers of art, only for the audience.

A big segment of the storytelling is about personal suffering. There's the stink of catharsis. Of melodrama and memoir. A writer friend refers to this school as "the-sun-is-shining-the-birds-are-singing-and-my-father-is-on-top-of-me-again" literature.

when the memoir writer has done his work upon it? For one thing, Orlando had a positive hatred of tea; for another, the intellect, divine as it is, and all-worshipful, has a habit of lodging in the most seedy of carcases, and often, alas, acts the cannibal among the other faculties so that often, where the Mind is biggest, the Heart, the Senses, Magnanimity, Charity, Tolerance, Kindliness, and the rest of them scarcely have room to breathe.

SUGGESTIONS FOR FURTHER READING Judith Barrington, Writing the Memoir: From Truth to Art; Annie Dillard and Cort Conley, eds., Modern American Memoirs; Patricia Hampl, I Could Tell You Stories: Sojourns in the Land of Memory; Anne Lamott, Bird by Bird: Some Instructions on Writing and Life; Phillip Lopate, ed., The Art of the Personal Essay; Jane Taylor McDonnell, Living to Tell the Tale: A Guide to Writing Memoir; and William Zinsser, ed., Inventing the Truth: The Art and Craft of Memoir.

Had I come before myself, I would have given Humbert at least thirty-five years for rape, and dismissed the rest of the charges. But even so, Dolly Schiller will probably survive me by many years. The following decision I make with all the legal impact and support of a signed testament: I wish this memoir to be published only when Lolita is no longer alive