Quotes About Syndication

We were making new ones the second year. We were in syndication the second year. So we were on Saturday nights, prime time, every morning, and then they put it on Sunday evenings too. So it was all over the place.

Networks don't want a show with a continuing story. There's no backend potential.

I don't think a show's ever changed networks in the middle of the season before, but it was cool because they gave us those extra couple years of life that was necessary to get us to syndication.

I've been getting pulled from newspapers for my entire career.

Publishing a protocol under the name Atom that tries to capture all of the prior art in this stage and might provide a good basis for winding down the syndication wars.

'Mad Men' was one of the first shows where Netflix was the first syndication window.

My first month in syndication, I made about $100. I thought it would be exciting if I ever got up to the level where I could pay my rent.

I just think that it's such a good show and timeless and still very funny, and that just makes me happy to have that whole first season in one concentrated space for people to enjoy so that it's not hit and miss trying to find it in syndication always.

We were on for six years. We were in syndication for a while. It had its run. I still see the people from 'Mr. Belvedere,' too. We stay in touch.

'Diary of a Wimpy Kid' is my first book, and it's the fulfillment of a life-long dream. I had always wanted to be a cartoonist, but I found that it was very tough to break into the world of newspaper syndication. So I started playing with a style that mixed cartoons and 'traditional' writing, and that's how 'Diary of a Wimpy Kid' was born.

'Fresh Off the Boat' will be syndicated. This show and these characters will live forever in the pantheon of classic family sitcoms.

As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we'll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we'll be around for a while.

We were making new ones the second year. We were in syndication the second year. So we were on Saturday nights, prime time, every morning, and then they put it on Sunday evenings too. So it was all over the place.

When we started looking at the bigger television ecosystem, you see that there's not that many serialized TV shows being made for TV. The economics are lousy: They don't sell into syndication well; they're expensive to produce.

Podcasts, and the way they are distributed, are extremely simple technologically. Indeed, 'RSS,' the feed protocol that connects podcast apps to the audio files that they need, stands for 'Really Simple Syndication.'

It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.

I don't think a show's ever changed networks in the middle of the season before, but it was cool because they gave us those extra couple years of life that was necessary to get us to syndication.

To get syndicated as a comic strip artist is as likely as winning the lottery.

Most shows get dumped by the networks, do a couple of years in syndication, then they're in the vault. 'Mission: Impossible' has never been off the screen.

I'm very surprised at that, yes, because there were many chances for it to be in Germany once the syndication market started and it continually just did not happen.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

When we first started 'The Breakfast Club,' we wanted to have a video person dedicated to filming our interviews and sending out content. I think having video clips that could go viral, or get picked up by media outlets, helped us get syndicated, because people in other cities were familiar with us from having seen our videos.